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Don Juan and the Commander's Statue (Last Scene of Mozart's Don Giovanni)

ca. 1825–30
Not on view
Alexandre Évariste Fragonard was the son of the late rococo painter, Jean Honoré Fragonard. He trained in the studio of Jacques Louis David, but his early Neoclassical manner eventually gave way to a more Romantic sensibility.

Here he depicts the final dramatic scene from Mozart’s opera, "Don Giovanni" where the luck of the libertine Don Juan has finally run out. After killing in a duel the father of a young woman he had been seducing, he encounters his statue at a tomb. The statue comes to life and pulls Don Juan down into the fiery pit of hell.

Other versions of the subject include a large watercolor in the Detroit Institute of Arts (inv. F79.31) and an oil painting in the Musée des Beaux-Arts, Strasbourg.

Artwork Details

Object Information
  • Title: Don Juan and the Commander's Statue (Last Scene of Mozart's Don Giovanni)
  • Artist: Alexandre Evariste Fragonard (French, Grasse 1780–1850 Paris)
  • Date: ca. 1825–30
  • Medium: Graphite, pen and brown ink, watercolor, heightened with gum arabic
  • Dimensions: Sheet: 13 7/8 × 10 1/2 in. (35.3 × 26.6 cm)
  • Classification: Drawings
  • Credit Line: Bequest of James David Draper, 2019
  • Object Number: 2021.15.23
  • Curatorial Department: Drawings and Prints
More Artwork
Napoléon, Emperor of the French, Alexandre Evariste Fragonard  French, Etching and engraving on laid paper
Multiple artists/makers
1811
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century
Slat Side Phaeton #3286, Brewster & Co.  American, Graphite, pen and black ink, watercolor with gum arabic
Manufacturer Brewster & Co.
1876
La Douce Reverie, Alexandre Evariste Fragonard  French, Etching
After Alexandre Evariste Fragonard
Engraver Fréderic Cazenave
1793–1843
Osage Warrior, Charles Balthazar Julien Févret de Saint-Mémin  French, Watercolor and graphite on off-white wove paper, American
Charles Balthazar Julien Févret de Saint-Mémin
1805–7

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