The Path of Nature: French Paintings from the Wheelock Whitney Collection, 1785-1850
THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 70 | NUMBER 3

The Path of Nature: French Paintings from the Wheelock Whitney Collection, 1785–1850

Miller, Asher Ethan
2013
48 pages
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In 2003 the Metropolitan Museum acquired a collection of more than fifty paintings that represent a key period in European history, beginning in the 1780s with the advent of the French Revolution and concluding soon after the abdication in 1848 of France's last king, Louis-Philippe. Assembled by the New York connoisseur Wheelock Whitney between 1972 and 2000, this remarkable collection underscores the role of the natural world as a source of inspiration for European artists living on the cusp of the modern epoch, and it provides ample evidence of a rich tradition of painting out of doors, en plein air, nearly a century before Impressionism. This collection was not assembled with the intention of illustrating a complete and comprehensive history of a period or style. Rather, it came together by chance, as Whitney chose works purely on the basis of their quality, even when they bore incorrect attributions or none at all.

The Whitney Collection encompasses the full scope of paintings that would have been found in a Parisian cabinet d'amateur in the first half of the nineteenth century, including portraits and historical and genre pictures. It is renowned, however, for its concentration of plein-air oil studies. At the heart of the collection is a group of paintings by northern European artists who were drawn to Rome in the late eighteenth and early nineteenth centuries by the city's combination of antiquity and natural beauty. Several of these artists were recipients of the prestigious Prix de Rome, which enabled them to study in Italy under the auspices of the French government, and the majority of them showed their work at the Paris Salons. Yet although they may have been among the most promising and sometimes even the most successful painters of their day, many of them have been all but forgotten. One of the great strengths that artists of this period shared was their ability to engage their physical surroundings with unparalleled fluency, using skills they developed through rigorous academic training. It is enlightening to find works so immediate in their appeal that their makers are revealed as individuals, even when their biographies remain obscure.

The Nation Is in Danger, or the Enrollment of Volunteers at the Place du Palais-Royal in July 1792, Auguste-Hyacinthe Debay  French, Oil on canvas
Auguste-Hyacinthe Debay
1832
View of Beirut, Jules Coignet  French, Oil on paper, laid down on canvas
Jules Coignet
1844
Fortified Wall at Tivoli, Simon Denis  Flemish, Oil on paper, laid down on wood
Simon Denis
ca. 1786–1806
The Banks of the Rance, Brittany, Pierre Henri de Valenciennes  French, Oil on paper, laid down on canvas
Pierre Henri de Valenciennes
possibly 1785
Classical Landscape with Figures, Jean Victor Bertin  French, Oil on wood
Jean Victor Bertin
1803
Sunrise, Claude Lorrain (Claude Gellée)  French, Oil on canvas
Claude Lorrain (Claude Gellée)
possibly 1646–47
Lake Fucino and the Abruzzi Mountains, Joseph Bidauld  French, Oil on paper, laid down on canvas
Joseph Bidauld
ca. 1789
A River Landscape, Théodore Rousseau  French, Oil on wood
Théodore Rousseau
ca. 1845–50
Subiaco, Joseph Bidauld  French, Oil on paper, laid down on canvas
Joseph Bidauld
ca. 1786–89
View in a Park, Alexandre Hyacinthe Dunouy  French, Oil on paper, laid down on ledger paper
Alexandre Hyacinthe Dunouy
The Palazzo Reale and the Harbor, Naples, Alexandre Hyacinthe Dunouy  French, Oil on paper, laid down on canvas
Alexandre Hyacinthe Dunouy
ca. 1810–15
View from the Villa d'Este, Tivoli, Simon Denis  Flemish, Oil on paper, laid down on canvas
Simon Denis
ca. 1786–1806
Cloud Study (Distant Storm), Simon Denis  Flemish, Oil on paper
Simon Denis
ca. 1786–1806
Mountainous Landscape at Vicovaro, Simon Denis  Flemish, Oil on paper
Simon Denis
ca. 1786–97
Cloud Study (Early Evening), Simon Denis  Flemish, Oil on paper
Simon Denis
ca. 1786–1806
Mountainous Landscape at Tivoli, Simon Denis  Flemish, Oil on paper
Simon Denis
ca. 1786–97
View on the Quirinal Hill, Rome, Simon Denis  Flemish, Oil on paper, laid down on canvas
Simon Denis
1800
Dusk, Monte Mario, Rome, François Marius Granet  French, Oil on paper, laid down on cardboard
François Marius Granet
1804
Ponte San Rocco and Waterfalls, Tivoli, François Marius Granet  French, Oil on canvas
François Marius Granet
ca. 1810–20
Monks in the Cloister of the Church of Gesù e Maria, Rome, François Marius Granet  French, Oil on canvas
François Marius Granet
1808
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