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Draped Model

ca. 1865–67
Not on view
This drawing of a woman in classical robes likely was made in preparation for a fresco that Moore executed in 1866 at Claremont, a Georgian house near Salford, outside Manchester. Now lost, the painting was one of three overdoors in the octagonal hall and showed four women drawing water from a fountain. The model's pose, with a hand on her hip and the other at her chin, is one of waiting. The artist made numerous nude and draped studies for the commission; in the present sheet he focused on the model's voluminous translucent draperies. He used black and white chalk to capture shadows and highlights against the brown middle tone of the paper. Moore's decorative approach to classical subjects is characteristic of the Aesthetic Movement and influenced James McNeill Whistler, who began to make similar pastel studies on brown paper about this time.

Artwork Details

Object Information
  • Title: Draped Model
  • Artist: Albert Joseph Moore (British, York 1841–1893 London)
  • Date: ca. 1865–67
  • Medium: Black and white chalk on brown paper
  • Dimensions: Sheet: 14 9/16 x 8 in. (37 x 20.3 cm)
  • Classification: Drawings
  • Credit Line: Harris Brisbane Dick Fund, 1917
  • Object Number: 17.97.6
  • Curatorial Department: Drawings and Prints
More Artwork
Drapery Study for "Battledore" (recto); Two Women (verso), Albert Joseph Moore  British, Black conté crayon and white chalk on brown paper (recto); black chalk (verso)
Albert Joseph Moore
1868–70
On the Wharfe, Bolton Abbey, William Callow  British, Watercolor
William Callow
September 30, 1858
The Martyrdom of Saint Paul, Taddeo Zuccaro  Italian, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper.
Taddeo Zuccaro
ca. 1557–58
Drapery study for "A Venus", Albert Joseph Moore  British, Black and white chalk on brown paper
Albert Joseph Moore
ca. 1868
Stroh Violin, George Evans & Co.  English, Mahogany and aluminum, British
George Evans & Co.
first quarter 20th century

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