East Side Interior

1922

Not on view

In a New York interior, a woman looks up from her sewing machine to gaze out an open window, the heat suggested by the loosened neck of her dress. Hopper had returned to New York from Paris in 1910 and took up etching when his paintings failed to find buyers, producing about 70 prints between 1915 and 1923. In addition to men and women experiencing the distinct fabric of his new home town, the artist evoked memories of France and explored rural and coastal landscapes in Maine and Massachusetts. After Hopper received two awards for his prints in 1923—the Logan Prize from the Chicago Society of Etchers and the W. A. Bryan Prize—he refocused his energies on painting, but often returned to subjects he had used etching to shape.

Artwork Details

Overview

Signatures, Inscriptions, and Markings

Catalogue Raisonné

References

Title: East Side Interior
Artist: Edward Hopper (American, Nyack, New York 1882–1967 New York)
Date: 1922
Medium: Etching
Dimensions: Plate: 7 7/8 x 9 7/8 in. (20 x 25.1 cm)
Sheet: 12 3/8 x 14 1/4 in. (31.5 x 36.2 cm)
Classification: Prints
Credit Line: Harris Brisbane Dick Fund, 1925
Object Number: 25.31.1
Curatorial Department: Drawings and Prints

More Artwork

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House Tops, Edward Hopper American, Etching — House Tops
Edward Hopper
1921

Night on the El Train, Edward Hopper American, Etching — Night on the El Train
Edward Hopper
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Evening Wind, Edward Hopper American, Etching — Evening Wind
Edward Hopper
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Barn and Silo, Vermont, Edward Hopper American, Watercolor, and brush and black ink over charcoal on paper — Barn and Silo, Vermont
Edward Hopper
1927

Coast Guard Station, Two Lights, Maine, Edward Hopper American, Watercolor over charcoal on paper — Coast Guard Station, Two Lights, Maine
Edward Hopper
1927

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