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Tudor Style Rural Train Station and Railroad Crossing

1844–77
Not on view
We are shown a country train station with half-timbered walls and a small entrance porch. At right, a gate has been lowered across the road, and a horse and dismounted rider wait behind it. A signal man holds a white flag next to the track, as a train approaches from the left through a tunnel. This drawing is similar in style to "Victorian Rural Train Station" (2018.839.9) which is signed "J. C. [...ell] Ogle"

Artwork Details

Object Information
  • Title: Tudor Style Rural Train Station and Railroad Crossing
  • Artist: John Connell Ogle (British, 1813–1877 London)
  • Date: 1844–77
  • Medium: Watercolor
  • Dimensions: Sheet: 12 3/16 × 19 11/16 in. (31 × 50 cm)
  • Classifications: Drawings, Ornament & Architecture
  • Credit Line: Bequest of Herbert Mitchell, 2008
  • Object Number: 2018.839.8
  • Curatorial Department: Drawings and Prints

More Artwork

More Artwork
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Victorian Rural Train Station and Railroad Crossing, John Connell Ogle British, Watercolo, pen and ink
Victorian Rural Train Station and Railroad Crossing
John Connell Ogle
1844–77
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, Eugène Delacroix French, Watercolor over graphite on wove paper
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters
Eugène Delacroix
1832
Still-Life with a Watermelon and Pomegranates, Paul Cézanne French, Watercolor over graphite on laid paper
Still-Life with a Watermelon and Pomegranates
Paul Cézanne
1900–1906
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor and gold and silver paints over graphite
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912
Léon Bakst
1922
The Connoisseur, Honoré Daumier French, Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper
The Connoisseur
Honoré Daumier
ca. 1860–65

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