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La Anunciación

ca. 1485–92
On view at The Met Fifth Avenue in Gallery 952
Esta preciosa Anunciación de Botticelli está ambientada en un interior arquitectónico; la composición emplea un solo punto de fuga para crear la ilusión de un espacio de gran profundidad. En el centro, una hilera de columnas cuadradas separan el espacio monumental ocupado por el mensajero Gabriel del dormitorio de la Virgen, de carácter más íntimo. Tras la cortina corrida, María aparece de rodillas en señal de humildad. Aunque se desconoce la identidad del mecenas, es casi seguro que esta pequeña pintura era una imagen devocional y no formaba parte de una obra más grande.

Artwork Details

Object Information
  • Título: La Anunciación
  • Artista: Botticelli (Alessandro di Mariano Filipepi), italiano, 1444/1445–1510
  • Fecha: ca. 1485
  • Material: Temple y oro sobre tabla
  • Dimensiones: 19,1 x 31,4 cm
  • Crédito: Colección Robert Lehman, 1975
  • Número de inventario: 1975.1.74
  • Curatorial Department: The Robert Lehman Collection

Audio

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Cover Image for 4795. The Annunciation

4795. The Annunciation

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KANTER: One of the most precious objects in the Lehman Collection is this small annunciation by Sandro Botticelli, probably painted in the mid-1480s. It shows the Virgin at the moment of receiving the angelic message, kneeling in an attitude of humility, inside her bedchamber—you see a view back towards her bed and the cabinets and cupboards behind, with the linen curtain in front of her just drawn back to allow you to see her reading, probably from a book of hours, saying her devotions. The angel flies in from the left, just beginning to kneel, delivering his message of grace. And behind him is a view—an imaginary view we presume—of a classical ideal Italian architectural setting of the fifteenth century. I don't expect any patrician house ever looked quite as remarkable as this, but I expect every patrician wished they had a house that looked quite as remarkable as this.

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