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受胎告知

ca. 1485–92
On view at The Met Fifth Avenue in Gallery 952
ボッティチェリのこの珠玉の作品《受胎告知》は、一点透視図法によって奥行きのある屋内空間の錯覚を作り出しています。中央の四角い柱の列が、天使ガブリエルのいる巨大な空間と、個人的な空間の聖母の寝室とを分けています。寄せられたカーテンの向こうには、敬う聖母の姿が見られます。この作品の注文主は不明ですが、この小作品は個人の祈祷用として注文されたものであり、大作の一部でなかったことはほぼ間違いありません。

Artwork Details

Object Information
  • 題: 受胎告知
  • アーティスト: ボッティチェリ (アレッサンドロ・ディ・マリアーノ・フィリペピ) イタリア、1444/45–1510年
  • 月日: 1485年頃
  • 手法: 板にテンペラ絵具と金箔
  • 寸法: 19.1 x 31.4 cm
  • 提供者: ロバート・レーマン・コレクション、1975年
  • 受け入れ番号: 1975.1.74
  • Curatorial Department: The Robert Lehman Collection

Audio

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Cover Image for 4795. The Annunciation

4795. The Annunciation

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KANTER: One of the most precious objects in the Lehman Collection is this small annunciation by Sandro Botticelli, probably painted in the mid-1480s. It shows the Virgin at the moment of receiving the angelic message, kneeling in an attitude of humility, inside her bedchamber—you see a view back towards her bed and the cabinets and cupboards behind, with the linen curtain in front of her just drawn back to allow you to see her reading, probably from a book of hours, saying her devotions. The angel flies in from the left, just beginning to kneel, delivering his message of grace. And behind him is a view—an imaginary view we presume—of a classical ideal Italian architectural setting of the fifteenth century. I don't expect any patrician house ever looked quite as remarkable as this, but I expect every patrician wished they had a house that looked quite as remarkable as this.

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