Placa con Cristo recibiendo la catedral de Magdeburgo de manos del emperador Otón I

ca. 962–968
On view at The Met Fifth Avenue in Gallery 304
La catedral de Magdeburgo en Sajonia (Alemania) fue dedicada en 968. El emperador Otón I (r. 962–973), cuya imagen es de menor tamaño que la compañía de los santos, ofrece un modelo de la catedral a Cristo para que lo bendiga. Detrás de Otón aparece san Mauricio, el santo patrón de los emperadores otonianos y de la ciudad de Magdeburgo. Esta placa y otras dieciséis que ilustraban la vida de Jesús, quizás talladas en Italia, formaban parte de una pieza de mobiliario—púlpito, puertas del coro o altar—destinada a la catedral. Tras los incendios ocurridos en 1008 y 1049, el conjunto se desmembró y las diversas placas se usaron en relicarios y tapas de libros.

Artwork Details

Object Information
  • Título: Placa con Cristo recibiendo la catedral de Magdeburgo de manos del emperador Otón I
  • Periodo: Probablemente Milán
  • Fecha: ca. 962–68
  • Cultura: Otoniana
  • Material: Marfil (elefante)
  • Dimensiones: 13 x 11,3 x 0,8 cm
  • Crédito: Donación de George Blumenthal, 1941
  • Número de inventario: 41.100.157
  • Curatorial Department: Medieval Art and The Cloisters

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Cover Image for 2775. Plaque with Christ Receiving Magdeburg Cathedral from Emperor Otto I

2775. Plaque with Christ Receiving Magdeburg Cathedral from Emperor Otto I

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The cathedral of Magdeburg—some eighty miles west of present-day Berlin—was dedicated in the year 968. The new cathedral was established as an important mission center by Emperor Otto the Great. Many of its magnificent furnishings came from North Italy, probably including this ivory.

On this superb panel, Otto presents a symbolic model of the Church to Christ for his blessing. As a humble servant he is depicted smaller than the company of patron saints. Saint Peter appears to the right, with both the heavenly and earthly keys to the Christian Church. The military Saint Mauritius, patron saint of the Ottonian Empire and of Magdeburg, is shown behind Otto, presenting him to Christ. Both the overall subject of the scene and the distinctive wreath form of Christ’s throne are a visual reference to the Biblical passage from Isaiah 66:1: “Heaven is my throne and the earth my footstool; what is the house which you would build for me?”

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