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Virgen

ca. 1250
On view at The Met Cloisters in Gallery 08
Esta soberbia imagen, uno de los grandes hitos de la escultura gótica, fue creada para el trascoro monumental de la Catedral de Estrasburgo. Su emplazamiento, cerca del centro, estaba indicado por un baldaquín con ángeles que sostenían una corona sobre la cabeza de la Virgen. El Niño Jesús, ahora desaparecido, surgía de un rosal al lado de María, tal vez una alusión a la Virgen, conocida como la «rosa sin espinas», o una referencia, por el color rojo de las flores, a la sangre de Cristo derramada en la Crucifixión. Con el tiempo, se modificaron los rituales eclesiásticos, y ello fue causa de que se destruyera el trascoro en 1680.

Artwork Details

Object Information
  • Título: Virgen
  • Fecha: ca. 1250
  • Geografía: Alsacia, Estrasburgo (actual Francia)
  • Material: Piedra arenisca con policromía y dorado original
  • Dimensiones: a. 148,6 cm
  • Crédito: Colección de Los Claustros, 1947
  • Número de inventario: 47.101.11
  • Curatorial Department: Medieval Art and The Cloisters

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Cover Image for Strasbourg Virgin

Strasbourg Virgin

Gallery 8

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This figure comes from the cathedral of Strasbourg, in eastern France. Do you remember the wooden statue of the Virgin that we saw a few stops back? If you compare that figure with this one, you can appreciate the difference between Romanesque and Gothic sculpture. The Romanesque example was majestic and austere, but the sculptor of this statue has made the Virgin graceful and life-like; her youthful face wears a slight smile, and her mantle faithfully imitates the folds of heavy cloth. This statue was made for a structure called a choir screen, which is a tall, richly decorated barrier that divided the choir and clergy from the lay congregation in medieval cathedrals. The statue was placed high above the floor there, and so it is here too. It’s one of the few fragments that remain from the choir screen of Strasbourg Cathedral.

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