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Why is the virgin Mary so sad in this piece?

"It’s an expression that can be dead, unless we engage ourselves in it."

"It's an expression that can be dead, unless we engage ourselves in it."

Curator Keith Christiansen on "Madonna and Child," a painting by Berlinghiero.

Explore this object:
https://www.metmuseum.org/art/collection/search/435658

Throughout 2013, The Metropolitan Museum of Art invited curators from across the Museum to each talk about one artwork that changed the way they see the world. Each episode is interpreted by a Museum photographer.

Photography by Mark Morosse

Rights & Permissions
Consortium, Edward Barbieri, Director, 'I sat down under his shadow' by Edward C Bairstow © Oxford University Press 1925. All rights reserved. Recorded 1998 on Let Us Now Praise Famous Men, Deux-Elles Limited, DXL827

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Contributors

Keith Christiansen
John Pope-Hennessy Chairman, Department of European Paintings

Female figure with long, dark hair and blue skin stands assertively, eyes wide and tongue out. Her multiple arms hold a sword and severed head, and she wears a necklace and belt of body parts.
Wrathful images of the divine in South Asia are meant to protect and nurture, not to be feared.
Vaishnavi Patil
March 9
Silver fish sculpture with emerald green eyes, lifelike scales, and visible details.
How do these exquisite examples of Judaica represent universal themes related to special days in the Jewish calendar?
Riva Arnold
February 20
Pop art portrait of a woman with bright orange hair, turquoise skin, pink lips, and lavender eyeshadow on a pink background.
How do works in The Met collection trace the shifting associations of blonde glamour in Western art?
Lynda Nead
February 2
More in:82nd and Fifth: Art ExplainedReligion & Spirituality

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Madonna and Child, Berlinghiero  Italian, Tempera on wood, gold ground
Berlinghiero
possibly 1230s