“The density of lines enhances the extraordinary emotion of the moment.”
Curator Dita Amory on an unusually large red-chalk drawing (1634–35) by Rembrandt based on Leonardo’s The Last Supper.
“The density of lines enhances the extraordinary emotion of the moment.”
Curator Dita Amory on an unusually large red-chalk drawing (1634–35) by Rembrandt based on Leonardo’s The Last Supper.
Photography by Eileen Travell
Photo of fresco: Scala/Ministero per i Beni e le Attività culturali / Art Resource, NY