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Originality

“The density of lines enhances the extraordinary emotion of the moment.”

Curator Dita Amory on an unusually large red-chalk drawing (1634–35) by Rembrandt based on Leonardo’s The Last Supper.


Contributors

Dita Amory
Curator in Charge, Robert Lehman Collection

Photography by Eileen Travell

Photo of fresco: Scala/Ministero per i Beni e le Attività culturali / Art Resource, NY


The Last Supper, after Leonardo da Vinci, Rembrandt (Rembrandt van Rijn)  Dutch, Red chalk
Rembrandt (Rembrandt van Rijn)
1634–35
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Andrea Myers Achi
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A man in office attire sits with his legs crossed in a brightly-lit, columned pavilion with geometric door insides and scalloped roof details.
Video
Explore The Astor Chinese Garden Court with Chairman of Asian Art Maxwell K. Hearn and find serenity in the midst of New York City.
October 1
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