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Originality

“The density of lines enhances the extraordinary emotion of the moment.”

Curator Dita Amory on an unusually large red-chalk drawing (1634–35) by Rembrandt based on Leonardo’s The Last Supper.


Contributors

Dita Amory
Curator in Charge, Robert Lehman Collection

Photography by Eileen Travell

Photo of fresco: Scala/Ministero per i Beni e le Attività culturali / Art Resource, NY


The Last Supper, after Leonardo da Vinci, Rembrandt (Rembrandt van Rijn)  Dutch, Red chalk
Rembrandt (Rembrandt van Rijn)
1634–35
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Video
Explore The Astor Chinese Garden Court with Chairman of Asian Art Maxwell K. Hearn and find serenity in the midst of New York City.
October 1
Woman seated on a bench in a museum gallery in front of a large abstract painting.
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Explore Jackson Pollock’s Autumn Rhythm with Met curator Brinda Kumar and discover what it reveals about artistic intention and staying true to oneself.
Brinda Kumar
September 17
Detail of a black ceramic vessel with a shiny, burnished surface and two small raised bumps at the base of the neck.
Audio
Magdalene Odundo reflects on ceramic traditions, gender, and the universality and humanity of clay through the lens of a Kurumba vessel.
Magdalene Odundo
September 8
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