Exhibitions/ Everything Is Connected: Art and Conspiracy

Everything Is Connected: Art and Conspiracy

At The Met Breuer
September 18, 2018–January 6, 2019
Exhibitions are free with Museum admission.

Exhibition Overview

For the last fifty years, artists have explored the hidden operations of power and the symbiotic suspicion between the government and its citizens that haunts Western democracies. Everything Is Connected: Art and Conspiracy will be the first major exhibition to tackle this perennially provocative topic. It will trace the simultaneous development of two kinds of art about conspiracy.

The first half of the exhibition will comprise works by artists who hew strictly to the public record, uncovering hidden webs of deceit—from the shell corporations used by New York's largest private landlord, interconnected networks encompassing politicians, businessmen, and arms dealers. In the second part, other artists will dive headlong into the fever dreams of the disaffected, creating fantastical works that nevertheless uncover uncomfortable truths in an age of information overload and weakened trust in institutions.

Featuring seventy works by thirty artists in media ranging from painting and sculpture to photography, video, and installation art, from 1969 to 2016, Everything Is Connected: Art and Conspiracy will present an alternate history of postwar and contemporary art that is also an archaeology of our troubled times.

Accompanied by a catalogue.

#MetArtandConspiracy


The exhibition is made possible by Andrea Krantz and Harvey Sawikin.

Additional support is provided by James and Vivian Zelter.

The catalogue is made possible by the Samuel I. Newhouse Foundation, Inc.


On view at The Met Breuer in Floor 4

Featured Media

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Lutz Bacher (American, born 1943). The Lee Harvey Oswald Interview (detail), 1976. Collage in 18 parts, 11 x 8 ½ in. (27.9 x 21.6 cm) each. The Metropolitan Museum of Art, New York, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel and Anonymous Gift, 1999. Courtesy of the artist and Greene Naftali, New York (1999.387e). © Lutz Bacher