Exhibitions/ Watercolors of the Acropolis: Émile Gilliéron in Athens

Watercolors of the Acropolis: Émile Gilliéron in Athens

At The Met Fifth Avenue
May 13, 2019–January 20, 2020

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The conservation and reappraisal of these remarkable large-scale works are detailed in the spring 2019 Bulletin.

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Exhibition Overview

A virtuoso watercolorist, Émile Gilliéron (1850–1924) became the most important draftsman and popularizer of archaeological discoveries in Greece following his arrival in Athens in the late 1870s. The exhibition features five drawings—three of them more than eleven feet long—that depict architectural sculptures from the Athenian Acropolis. In addition to their documentary value, the drawings capture the power of the ancient sculptures' mythological subjects, their effect intensified by the surviving traces of original color.

Accompanied by a publication.


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The exhibition is made possible by The Vlachos Family Fund.

The Bulletin is made possible in part by The Ceres Foundation, Inc., The Prospect Hill Foundation, and the Jenny Boondas Fund. The Met's quarterly Bulletin program is supported by the Lila Acheson Wallace Fund for The Metropolitan Museum of Art, established by the cofounder of Reader's Digest.


On view at The Met Fifth Avenue in

Émile Gilliéron père (Swiss, 1850–1924). Three-Bodied Winged Figure with a Snaky Tail, commonly known as "Bluebeard" (detail), 1919. After a sixth-century B.C. pedimental sculpture found on the Acropolis of Athens. Watercolor, graphite, and crayon on paper, 39 7/8 x 133 in. (101.3 x 337.8 cm). The Metropolitan Museum of Art, New York, Dodge Fund, 1919 (19.195.1)