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Clock

probably second quarter 17th century, with later additions
Not on view
The influence of Augsburg is clearly evident in this clock, with its revolving figure wielding a pointer that indicates the hour on its horizontal chapter ring. Most centers of clockmaking in Central and Eastern Europe lacked the variety of highly skilled craftsmen available in Augsburg, however; thus Augsburg, and to a lesser extent Nürnberg, styles of casemaking appeared there in more modestly executed forms. This clock, although not signed, incorporates characteristics commonly found in Polish clocks.

Artwork Details

Object Information
  • Title: Clock
  • Date: probably second quarter 17th century, with later additions
  • Culture: Polish, probably Krakow
  • Medium: Case: ebony veneered on fruitwood, and gilded brass; Movement: iron and brass, back plate of brass, front plate of steel
  • Dimensions: 20 1/2 × 5 1/2 × 5 1/2 in. (52.1 × 14 × 14 cm)
    Other (back plate:): 3 1/2 × 3 1/2 in. (8.9 × 8.9 cm)
  • Classification: Horology
  • Credit Line: Gift of Mrs. Simon Guggenheim, 1929
  • Object Number: 29.52.11
  • Curatorial Department: European Sculpture and Decorative Arts
More Artwork
Saber with Scabbard and Carrying Belt, Georg Hoffmann  Polish, Steel, gold, silver, leather, wood, textile, semiprecious stones, Polish
Goldsmith Stamped with what may be the mark of Georg Hoffmann
early 17th century
Table or bracket clock, Edward East  British, Case: ebonized fruitwood and rosewood with ebony moldings; Dial: gilded brass and silver; Movement: brass and steel, British, London
Clockmaker: Edward East
ca. 1665
Saddle, Wood (beech), pigskin, birch bark, horn (stag), textile, gilding, gold., Polish
Polish
dated 1664
Automaton clock in the form of an eagle, Case: gilded brass on base of ebony and ebony veneered on fruitwood; Movement: brass and iron, German, Augsburg
German, Augsburg
ca. 1630
Lobster-Tail Burgonet, Steel, leather, Polish
Polish
17th century

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