Standing Male Figure
This imposing male figure stands with his legs apart, his right arm at his side, and his left arm raised in order to rest an implement on his shoulder. He wears a conical hat with an incised, or stamped, checkered basket-weave pattern, and with a band along the bottom edge. The checkered part of the hat is folded and wraps around to tie in the back. An appliqued red cord with two white shells crosses the crown of the hat and another red cord dangles from the back, where incised hair is visible. His face features a modeled brow and cheekbones, and his nose is adorned with a four-looped, appliqued nose ring. The mouth opens enough to reveal the incised white teeth separated by black lines, and the carved eyes show traces of white and black slip. The face and arms were painted in a rich ocher slip that suggests a natural skin color. In each ear, the figure wears eight to nine earrings, featuring appliqued tabs and disks. He is clothed in a long, cream-colored tunic with a V-neck and short sleeves. His upper arms each have appliqued and decorated red cord bracelets; the mini-conch shell attached to the left one would seem to be emblematic of a specific lineage or kin group. The legs are plain, with sienna slip on the thighs and black slip, likely representing body paint, from the thighs to the ankles. The feet, which rest on small platforms, have sculpted joints, toes, and toenails.
This figure may be part of a group created by the same artist or workshop, and appear to represent members of an important ancient West Mexican lineage or social group (Butterwick 2004: 83-87). Shared features and craftsmanship suggest that one artist made all three figures, and they may have been deposited in the same shaft tomb in the Nayarit village where they originated (see 2018.443.2, 2018.443.3). If the similarities between the two females were intended to show kinship, the figures might represent mother and daughter, or sisters in the same lineage. Alternatively, the two may portray a female of high status in two stages of her life: young (perhaps pregnant) and mature. The features shared by the male and the elder female, especially the emblematic conch bracelet, suggest that they belong to the same lineage. Lastly, the unusual fact that all three wear black leg paint may further indicate a common genealogy.
This figure may be part of a group created by the same artist or workshop, and appear to represent members of an important ancient West Mexican lineage or social group (Butterwick 2004: 83-87). Shared features and craftsmanship suggest that one artist made all three figures, and they may have been deposited in the same shaft tomb in the Nayarit village where they originated (see 2018.443.2, 2018.443.3). If the similarities between the two females were intended to show kinship, the figures might represent mother and daughter, or sisters in the same lineage. Alternatively, the two may portray a female of high status in two stages of her life: young (perhaps pregnant) and mature. The features shared by the male and the elder female, especially the emblematic conch bracelet, suggest that they belong to the same lineage. Lastly, the unusual fact that all three wear black leg paint may further indicate a common genealogy.
Artwork Details
- Title: Standing Male Figure
- Artist: Nayarit artist(s)
- Date: 100–400 CE
- Geography: Mexico, Nayarit
- Culture: Nayarit
- Medium: Ceramic, slip
- Dimensions: H. 30 7/8 × W. 14 5/8 × D. 7 in. (78.4 × 37.1 × 17.8 cm)
- Classification: Ceramics-Sculpture
- Credit Line: Gift of Joanne and Andrall Pearson, 2018
- Object Number: 2018.443.1
- Curatorial Department: The Michael C. Rockefeller Wing
More Artwork
A slider containing 5 items.
Press the down key to skip to the last item.
Press the down key to skip to the last item.
Nayarit artist(s)
100–400 CE
Nayarit artist(s)
100–400 CE
Nayarit artist(s)
200 BCE–300 CE
Nayarit artist(s)
300 BCE–300 CE
Nayarit artist(s)
200 BCE–300 CE
Related Content
Publications
Books, guides, and catalogues published by The Met.
Free to download
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.