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Plat à triple motif de jarre

1680–90s
Not on view
Au Japon, la production de porcelaine était jadis concentrée dans la région de Hizen, sur l’île de Kyūshū. Nombre des modèles qui y étaient fabriqués étaient destinés à l’exportation. D’autres, par contre, appelés Nabeshima du nom du clan qui en commandait la fabrication, furent produits dans un four qui leur était réservé. Ce plat faisait probablement partie d’un service de vaisselle du type de ceux qui étaient envoyés au shogun d’Edo (actuelle Tokyo) comme tribut annuel. Le motif de jarre tire son charme des couleurs vives et lumineuses, et il atteste la grande qualité des porcelaines de Nabeshima.

Artwork Details

Object Information
  • 色絵三壺文小皿
  • Titre: Plat à triple motif de jarre
  • Période: Ère d'Edo
  • Date: Début XVIIIe siècle
  • Aire géographique: Japon
  • Technique: Porcelaine à décor bleu sous couverte d'émaux
  • Dimensions: H. 4,1 cm ; diam. 15,2 cm
  • Crédits: The Harry G. C. Packard Collection of Asian Art ; don de Harry G. C. Packard ; achat, fonds Fletcher, Rogers, Harris Brisbane Dick et Louis V. Bell ; legs de Joseph Pulitzer ; et don de The Annenberg Fund Inc., 1975
  • Accession Number: 1975.268.563
  • Curatorial Department: Asian Art

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Dish with Design of Seven Jars, Porcelain with celadon glaze and underglaze blue (Hizen ware, Nabeshima type), Japan
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Dish with Design of Three Jars, Porcelain with underglaze blue and overglaze enamels (Hizen ware, Nabeshima type), Japan
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Dish Depicting Lady with a Parasol, Cornelis Pronk Dutch, Porcelain painted with cobalt blue under and colored enamels over transparent glaze (Hizen ware; Imari type), Japan
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ca. 1734–37
Dish in Shape of Japanese Court Woman , Porcelain decorated with colored enamels over transparent glaze (Hizen ware; Imari type), Japan

Dish in Shape of Japanese Court Woman

Japan
ca. 1780
Teapot in Melon Shape, Thome , New York, Porcelain painted with cobalt blue under and colored enamels over transparent glaze (Hizen ware; Kakiemon type); American mount, Japan
Teapot in Melon Shape
Thome
late 17th century

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