English
DonateMembershipTickets

Incense Container (Kōgō) with Camellia and Mandarin Ducks

18th century
Not on view
On the lid of this small maki-e (“sprinkled picture”) decorated incense container, two mandarin ducks are depicted in a stylized landscape under a blossoming camellia tree. In East Asia, mandarin ducks symbolize a perfect couple and represent marital fidelity and conjugal affection. The birds were portrayed in paintings, prints, decorative arts, plays, poetry, and prose.

The drake depicted on the rock has brightly colored plumage, which is distinct from the hen’s brown feathers. Being winter birds, mandarin ducks remain after other fowl have migrated to a warmer climate, and the pair clings to each other throughout the hardship of winter.

Artwork Details

Object Information
  • 椿鴛鴦蒔絵香合
  • Title: Incense Container (Kōgō) with Camellia and Mandarin Ducks
  • Period: Edo period (1615–1868)
  • Date: 18th century
  • Culture: Japan
  • Medium: Lacquered wood with gold, silver takamaki-e, hiramaki-e, cut-out gold foil application, and coral and ivory inlay
  • Dimensions: H. 1 in. (2.5 cm); W. 2 7/8 in. (7.3 cm); L. 3 5/8in. (9.2 cm)
  • Classification: Lacquer
  • Credit Line: Gift of Mrs. George A. Crocker (Elizabeth Masten), 1937
  • Object Number: 38.25.181a, b
  • Curatorial Department: Asian Art
More Artwork
Helmet (<i>Zukinnari Kabuto</i>), Iron, lacquer, Japanese
Japanese
16th century
Saya Inrō with Bamboo Grove (exterior) and Rooster with Hen (interior), Koma Sadahide  Japanese, Sheath shape; lacquered wood with gold and silver togidashimaki-e on black lacquer ground Netsuke: sage lashing his back with a fly whisk; wood with coral and ivory inlay Ojime: bronze bead with metal inlay of flowers, Japan
Koma Sadahide
second half of the 18th century
Armor (<i>Gusoku</i>), Saotome Ietada  Japanese, Iron, lacquer, silk, gilt copper, Japanese
Armorer Helmet bowl signed Saotome Ietada
Armorer Breastplate inscribed inside, Myōchin Munesuke
16th and 18th centuries
Inrō with Prince Yamato Takeru Disguised as a Woman, Bairin (lacquerwork), Five cases; lacquered wood with gold, silver takamaki-e, hiramaki-e, and cut-out gold foil application on gold ground<br/>Netsuke: kagamibuta type, Ono no Tōfū; ivory and metal<br/>Ojime: red coral bead, Japan
Bairin
Naomasa
1752, 8th month
Koto (箏), Metalwork by Goto Teijo, 9th generation Goto master, Japan  Japanese, Various woods, ivory and tortoiseshell inlays, gold and silver inlays, metalwork, cloth, laquer, paper,, Japanese
Metalwork by Goto Teijo, 9th generation Goto master, Japan
Workshop of Gotō Yūjō
early 17th century

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.