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The Conversion of Polemon

1778–90
Not on view
Barry began work on this print in 1778, during the American Revolution and intended it as a political commentary. He represents a classical story recorded by Valerius Maxiumus that tells of Polemon, a frivilous youth who travels home at dawn after carousing and attempts to disrupt a discourse being delivered by Zenocrates on the virtues of modesty and temperance. Instead, as Polemon listens, he is converted, a change of heart indicated by the removal of the celebratory wreath from his head. The artist had dedicated earlier states of the etching to Charles James Fox, the Whig politician who was also a notorious gambler and heavy drinker, as well as a skilled orator. On February 2, 1778 he had delivered an electrifying Parliamentary speech against Britain's war with America. If Polemon refers to Fox, Barry intended the wise philosopher Zenocrates to compliment Edmund Burke. Like the artist, the latter was Irish and had been a significant patron early in Barry's career. Politically, Burke was a staunch defender of Whig principles and opposed the American War.

Artwork Details

Object Information
  • Title: The Conversion of Polemon
  • Artist: James Barry (Irish, Cork 1741–1806 London)
  • Date: 1778–90
  • Medium: Etching with engraving and roulette and traces of aquatint; ninth state of nine
  • Dimensions: Plate: 22 1/2 × 29 7/16 in. (57.2 × 74.8 cm)
    Sheet: 24 13/16 × 32 3/16 in. (63 × 81.8 cm)
  • Classification: Prints
  • Credit Line: Purchase, Friends of Drawings and Prints Gifts, 2020
  • Object Number: 2020.27
  • Curatorial Department: Drawings and Prints
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1792–95
Oliver Cromwell, Jan van de Velde IV  Dutch, Engraving, aquatint, and roulette; second state
Jan van de Velde IV
after Robert Walker
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Orpheus Instructing a Savage People in Theology and the Arts of Social Life, James Barry  Irish, Etching and engraving; second state of three
James Barry
plate dated May 1, 1791, issued 1792
"O Spartan dog": plate 15 from Othello (Act 5, Scene 2), Théodore Chassériau  French, Etching, engraving, roulette, drypoint, aquatint or sulphur tint on chine collé
Théodore Chassériau
Subject William Shakespeare
1844
Job Reproved by His Friends, James Barry  Irish, Etching over traces of aquatint; third state of five
James Barry
dated 1777; issued ca. 1790

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