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Small Dish (Kozara) with Three Jars, Porcelain with cobalt blue under transparent glaze and polychrome enamels over the glaze (Hizen ware, Nabeshima type), Japan
Small Dish (Kozara) with Three Jars
Japan
1680–90s
The Bodhisattva Jizō, Intan Japanese, Japanese cypress wood (hinoki) with polychrome pigments, gold paint (kindei), cut gold leaf (kirikane), and rock-crystal eyes, Japan
The Bodhisattva Jizō
Intan
1291
Covered Vessel (Futamono) with Plum Tree, Stoneware with iron brown under transparent glaze and copper-green glaze (Mino ware, Oribe type), Japan
Covered Vessel (Futamono) with Plum Tree
Japan
early 17th century
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), Suzuki Harunobu Japanese, Woodblock print (first edition); ink and colors on paper, medium-sized print (chuban), Japan
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Suzuki Harunobu
ca. 1766
Irises at Yatsuhashi (Eight Bridges), Ogata Kōrin Japanese, Pair of six-panel folding screens; ink and color on gold leaf on paper, Japan
Irises at Yatsuhashi (Eight Bridges)
Ogata Kōrin
after 1709
Zaō Gongen, Gilt bronze with incised decoration, Japan
Zaō Gongen
Japan
11th century
Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) , Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan

Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai
ca. 1830–32
Gibbons in a Landscape, Sesson Shūkei 雪村周継 Japanese, Pair of six-panel screens; ink on paper, Japan
Gibbons in a Landscape
Sesson Shūkei 雪村周継
ca. 1570
Old Plum, Kano Sansetsu Japanese, Four sliding-door panels (fusuma); ink, color, gold, and gold leaf on paper, Japan
Old Plum
Kano Sansetsu
1646
Sake Ewer (Hisage) with Chrysanthemums and Paulownia Crests in Alternating Fields, Lacquered wood with gold hiramaki-e and e-nashiji (“pear-skin picture”) on black ground, Japan
Sake Ewer (Hisage) with Chrysanthemums and Paulownia Crests in Alternating Fields
Japan
early 17th century
Rough Waves, Ogata Kōrin Japanese, Two-panel folding screen; ink, color, and gold leaf on paper, Japan
Rough Waves
Ogata Kōrin
ca. 1704–9
Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki), Set of five handscrolls; ink, color, and cut gold leaf (kirikane) on paper, Japan
Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki)
Japan
late 13th century
Robe (Kosode) with Shells and Sea Grasses , Embroidery and gold leaf on plain-weave silk patterned with warp floats, Japan

Robe (Kosode) with Shells and Sea Grasses

Japan
early 17th century
Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja), Kaikei Japanese, Japanese cypress with lacquer, color, gold, cut gold leaf (kirikane), and inlaid crystal eyes, Japan
Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja)
Kaikei
early 13th century
Portrait of Shun'oku Myōha, Unidentified artist Japanese, Hanging scroll; ink, color, and gold on silk, Japan
Portrait of Shun'oku Myōha
Unidentified artist
ca. 1383
Female Shinto Deity, Japanese bigleaf magnolia with traces of color, Japan
Female Shinto Deity
Japan
ca. mid-11th–mid-12th century
”Abiding nowhere, the awakened mind arises”, Musō Soseki Japanese, Hanging scroll; ink on paper, Japan
”Abiding nowhere, the awakened mind arises”
Musō Soseki
early to mid-14th century
Cosmetic Box (Tebako) with Chrysanthemum Flowers, Lacquered wood with gold, silver takamaki-e, hiramaki-e, gold, silver foil application on nashiji ground; gilt bronze fittings, Japan
Cosmetic Box (Tebako) with Chrysanthemum Flowers
Japan
first half of the 15th century
Daoist Master Fei Zhangfang, Sesson Shūkei Japanese, Hanging scroll; ink on paper, Japan
Daoist Master Fei Zhangfang
Sesson Shūkei
ca. 1555–61
Robe (Kosode) with Floral Roundels, Figured satin-weave silk with tie-dyeing, silk embroidery, and couched gold thread, Japan
Robe (Kosode) with Floral Roundels
Japan
ca. 1670s
Sutra Box (Kyōbako) with Sun and Clouds, Lacquered wood with gold hiramaki-e; gilt bronze fittings, Japan
Sutra Box (Kyōbako) with Sun and Clouds
Japan
late 14th–early 15th century
The Thirty-Six Poetic Immortals, Studio of Kano Takanobu Japanese, Pair of six-panel folding screens; ink, color, gold, and silver on paper, Japan
The Thirty-Six Poetic Immortals
Painting by Studio of Kano Takanobu
Inscriptions by Konoe Nobutada
early 17th century
Ema (Votive Painting) of a Chinese Lion Led by King Uten (Utennō), Ink and color on wood, Japan
Ema (Votive Painting) of a Chinese Lion Led by King Uten (Utennō)
Japan
1627
Ema (Votive Painting) of a Chinese Lion and Peony Tree , Ink, color, and gold leaf on wood, Japan

Ema (Votive Painting) of a Chinese Lion and Peony Tree

Japan
1631
Ōtsu-e of a Falcon Perched on a Pine Tree , Hanging scroll; ink and color on paper, Japan

Ōtsu-e of a Falcon Perched on a Pine Tree

Japan
18th century
Women Grating Radish for Sashimi, Kitagawa Utamaro Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan
Women Grating Radish for Sashimi
Kitagawa Utamaro
ca. 1798–99
Kitchen Scene, Kitagawa Utamaro Japanese, Diptych of woodblock prints (nishiki-e); ink and color on paper, Japan
Kitchen Scene
Kitagawa Utamaro
ca. 1794–95
Freshwater Jar (Mizusashi), Porcelain with celadon glaze (Hizen ware, Arita type); lacquer cover, Japan
Freshwater Jar (Mizusashi)
Japan
mid-17th century
Landscapes with Chinese Figures, Nagasawa Rosetsu Japanese, Pair of six-panel folding screens; ink and gold leaf on paper, Japan
Landscapes with Chinese Figures
Nagasawa Rosetsu
1795–99
Large Negoro Lobed Tray (Rinka-bon), Wood with layers of black and red lacquer (Negoro ware), Japan
Large Negoro Lobed Tray (Rinka-bon)
Japan
15th–16th century
Dish with Peaches, Porcelain with cobalt blue under transparent glaze and polychrome enamels over the glaze (Hizen ware, Nabeshima type), Japan
Dish with Peaches
Japan
ca. 1690–1720
Saddle (Kura) with Stylized Flowers, Saddle: Gold maki-e with black lacquer decoration:<br/>Pommel: lacquered wood with gold and silver takamaki-e and hiramaki-e on black ground; seat: nashiji (“pear-skin” ground), Japan
Saddle (Kura) with Stylized Flowers
Japan
Saddle: Muromachi period (1392–1573), dated 1491 (Entoku 3); lacquer decoration: Edo period (1615–1868), 17th century
Writing Box (Suzuribako) with Praying Mantis, Ogawa Haritsu (Ritsuō) Japanese, Cedar wood, lacquer, gold and silver maki-e, mother-of-pearl, ceramic, bone, Japan
Writing Box (Suzuribako) with Praying Mantis
Attributed to Ogawa Haritsu (Ritsuō)
first half 18th century
Fan-Shaped Dish, Porcelain painted with cobalt blue under and colored enamels over transparent glaze (Hizen ware; Imari type), Japan
Fan-Shaped Dish
Japan
early 18th century
Tea Cup and Saucer, Shakudo (copper alloy) and gold, Japan
Tea Cup and Saucer
Japan
dated 1731
Portable Picnic Set (Sagejū) with Chrysanthemum Sprays, Set: lacquered wood with gold, silver hiramaki-e, cut-out gold foil application on nashiji lacquer ground; sake bottles: pewter, Japan
Portable Picnic Set (Sagejū) with Chrysanthemum Sprays
Japan
18th century
Over Robe (Uchikake) with Fans and Flowers, Figured satin-weave silk with tie-dyeing, silk embroidery, and couched gold thread, Japan
Over Robe (Uchikake) with Fans and Flowers
Japan
second half 18th–first half 19th century
Large Storage Jar (Ōtsubo), Stoneware with natural ash glaze (Shigaraki ware), Japan
Large Storage Jar (Ōtsubo)
Japan
late 15th century
Head of a Clay Tomb Sculpture (Haniwa) , Earthenware with painted, incised, and applied decoration, Japan

Head of a Clay Tomb Sculpture (Haniwa)

Japan
5th–early 6th century
Head of a Warrior Clay Tomb Sculpture (Haniwa) , Earthenware with incised and applied decoration, Japan

Head of a Warrior Clay Tomb Sculpture (Haniwa)

Japan
6th century
Wild Boar Piglet Clay Tomb Sculpture (Haniwa), Earthenware, Japan
Wild Boar Piglet Clay Tomb Sculpture (Haniwa)
Japan
6th century
Dainichi, the Cosmic Buddha (Mahavairocana), Wood with lacquer and gold leaf, Japan
Dainichi, the Cosmic Buddha (Mahavairocana)
Japan
12th century

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.