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Berks County Almshouse, 1880

1880
Not on view
A house painter from Reading, Pennsylvania, Rasmussen was influenced by the works of Charles Hofmann, a fellow resident of the public poorhouse in Shillington, Berks County, Pennsylvania. Rasmussen was committed for alcoholism in 1879 and stayed at the facility until the end of his life. Painted on a heavy sheet of zinc, this aerial view provides a detailed and accurate image of the buildings and grounds of the institution within a central oval. Rasmussen included genre details such as townspeople passing on the road and residents and workers at the almshouse. At the four corners are views of the area’s factories and farmlands seen in summer, winter, spring, and fall.

Artwork Details

Object Information
  • Title: Berks County Almshouse, 1880
  • Artist: John Rasmussen (1828–1895)
  • Date: 1880
  • Culture: American
  • Medium: Oil and gold paint on zinc
  • Dimensions: 32 5/8 x 40 in. (82.9 x 101.6 cm)
  • Credit Line: Gift of Edgar William and Bernice Chrysler Garbisch, 1966
  • Object Number: 66.242.22
  • Curatorial Department: The American Wing

Audio

Cover Image for 4575. Berks County Almshouse, 1880

4575. Berks County Almshouse, 1880

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ELIZABETH KORNHAUSER: This painting, depicting the Berks County Almshouse—or debtor’s prison—in Pennsylvania, was made by one of its inmates, John Rasmussen. Rasmussen used the techniques of a sign painter, applying bright, primary colors on a zinc panel rather than canvas. He has also divided the composition into compartments. The prison appears in the center oval, surrounded by the four seasons, one in each corner. Typical of his style is the almost mechanical way he has applied the paint. Little is known about Rasmussen. He entered the prison at age 51, a widower, purportedly intemperate and a frequenter of prostitutes. He must have been friendly with another almshouse artist, Charles Hofmann, who painted similar compositions. Rasmussen painted portraits, landscapes, still lifes and at least six images of the prison itself. All of the paintings along this wall show intricate scenes of the villages and towns that were beginning to grow and thrive in 19th century America. The artists worked in a style we now call Folk Art. Most spent their careers moving from place to place, courting local audiences, so they developed compositional formulas that allowed them to work quickly, in makeshift studios with limited materials.

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