Armchair with the cipher of James II and Mary of Modena
The chair has experienced some changes throughout its history. The back was originally upholstered and the seat caned. When acquired in 1918, it had casters, and there was evidence that it had originally been painted black and gilded. Today no such evidence remains. Chairs of this type usually have an elaborately carved and pierced front stretcher, for which the present turned stretcher must be a replacement.
This armchair came to the Museum together with twenty-three other pieces of English furniture from the collection of George S. Palmer, a serious collector, though little known today. It has been published several times, most soberly by Joseph Breck in 1918 [1] and most passionately in 1983 by Humphry Wakefield: "The sense of live movement in this carving is as powerful and emotionally satisfying as that any tree or human form could provide. The snarling lion masks at the arms, with their wild manes, menace anyone who approaches the personage they guard." [2]
Footnotes
1. Breck 1918, pp. 274, 277, fig. 2
2. Wakefield 1983, p. 116
Artwork Details
- Title: Armchair with the cipher of James II and Mary of Modena
- Date: ca. 1685–88
- Culture: British
- Medium: Walnut; modern velvet
- Dimensions: Overall: 57 × 30 3/4 × 19 3/4 in. (144.8 × 78.1 × 50.2 cm)
- Classification: Woodwork-Furniture
- Credit Line: John Stewart Kennedy Fund, 1918
- Object Number: 18.110.18
- Curatorial Department: European Sculpture and Decorative Arts
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