Mosaic floor panel

2nd century CE
On view at The Met Fifth Avenue in Gallery 168
The rectangular panel represents the entire decorated area of a floor and was found together with another mosaic (now in the Baltimore Museum of Art) in an olive grove at Daphne-Harbiye in 1937. In Roman times, Daphne was a popular holiday resort, used by the wealthy citizens and residents of Antioch as a place of rest and refuge from the heat and noise of the city. American excavations at Daphne in the late 1930s uncovered the remains of several well-appointed houses and villas, including the one that contained this mosaic. At its center is a panel (emblema) with the bust of a woman, decked out with a wreath of flowers around her head and a floral garland over her left shoulder. Traditionally identified as Spring, the figure is probably the representation of a more generic personification of abundance and good living, well suited to the luxurious atmosphere created at Daphne by its rich patrons.

Artwork Details

Object Information
  • Title: Mosaic floor panel
  • Period: Imperial
  • Date: 2nd century CE
  • Culture: Roman
  • Medium: Stone, tile, and glass
  • Dimensions: H. 89 in. (226.1 cm); width 99 in. (251.5 cm)
  • Classification: Miscellaneous-Mosaic
  • Credit Line: Purchase, Joseph Pulitzer Bequest, 1938
  • Object Number: 38.11.12
  • Curatorial Department: Greek and Roman Art

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Cover Image for 1076. Mosaico pavimentale

1076. Mosaico pavimentale

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I mosaici pavimentali, come l’esempio che state ammirando, facevano parte della vita quotidiana dell’Antica Roma e si ritrovavano comunemente in case e edifici pubblici. Questo mosaico decorava probabilmente l’ingresso al cortile centrale di una villa romana. Il mosaico fu scoperto in un uliveto presso Dafne, famosa località turistica in epoca romana. I ricchi Romani che vivevano ad Antiochia, la principale città della Siria romana, si rifugiavano a Dafne per sfuggire al rumore e alla calura della grande città. Vi costruirono le proprie residenze estive, decorandole con elaborate pitture parietali policrome e pavimenti a mosaico.

I Romani, tuttavia, facevano distinzione tra mosaici e pitture murarie, come quelle esposte nelle altre sale. Consideravano il mosaico una forma d’arte pubblica, che il padrone o la padrona di casa poteva esibire agli ospiti. Un Romano rispettabile non avrebbe mai mostrato le pitture della propria camera da letto, né di altre zone private della sua abitazione. Preferiva invece attirare l’attenzione dei visitatori su mosaici come questo, che decoravano il cortile o il triclinio, luoghi in cui egli intratteneva gli ospiti. Questi elaborati mosaici erano un modo per ostentare la propria ricchezza e classe sociale.

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