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La Marchande de moutarde

1858
Not on view
After visiting Cologne during a summer–fall tour in 1858, Whistler created this image of an elderly mustard vendor who arranges jars within a dim interior, as a young assistant leans against the door jamb. He here establishes a formula to which he would often return—using an open entrance to frame a receding interior containing figures and objects that refer to a particular activity and locale. One of the most complex prints in "Douze eaux-fortes d’après nature" (Twelve Etchings from Nature), Whistler based the composition on drawings and sent an impression to the Paris Salon of 1859. This example belonged to Thomas Winans, a Baltimore friend who financed the artist's move to Paris in 1855; Winans kept the print in an album that descendants gave to the Museum.

Artwork Details

Object Information
  • Title: La Marchande de moutarde
  • Series/Portfolio: French Set ("Douze eau-fortes d'apres Nature" 1858) and Winans Scrapbook
  • Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London)
  • Date: 1858
  • Medium: Etching on tan chine on white wove paper (chine collé); third state of five (Glasgow)
  • Dimensions: Plate: 6 1/4 x 3 7/16 in. (15.8 x 8.8 cm)
    Sheet: 7 3/16 x 4 7/16 in. (18.2 x 11.3 cm)
  • Classification: Prints
  • Credit Line: Gift of Margaret C. Buell, Helen L. King, and Sybil A. Walk, 1970
  • Object Number: 1970.121.73
  • Curatorial Department: Drawings and Prints
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Nocturne: Palaces, James McNeill Whistler  American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
James McNeill Whistler
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Powder Horn, Horn (cow), lead, American
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Fumette, James McNeill Whistler  American, Etching on tan chine on off-white wove paper (chine collé); fifth state of five (Glasgow)
James McNeill Whistler
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Nocturne (Nocturne: The Thames at Battersea), James McNeill Whistler  American, Lithotint with scraping on a prepared half-tint ground, printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper; second state of two (Chicago)
James McNeill Whistler
1878
Window Seat, D. Phyfe & Son  American, Rosewood veneer; pine, yellow poplar (secondary woods); reproduction upholstery with original upholstery foundation, American
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