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Italiano

Meditazione sulla passione

ca. 1490
On view at The Met Fifth Avenue in Gallery 606
Carpaccio, oltre ai suoi famosi cicli narrativi dipinti a Venezia, creò una serie di immagini religiose utilizzando una complessa simbologia. Questo dipinto è tra i più memorabili. Sulla destra Giobbe siede su un masso che presenta un’iscrizione in ebraico: “So che il mio redentore vive”. San Girolamo, raffigurato come eremita sulla sinistra, aveva interpretato questo passo biblico come riferimento alla Resurrezione di Cristo, di cui vediamo il corpo morto adagiato su un trono infranto con una corona di spine ai suoi piedi. Anche il paesaggio, arido a sinistra e bucolico a destra, allude ai temi opposti di vita e morte.

Artwork Details

Object Information
  • Titolo: Meditazione sulla passione
  • Artista: Vittore Carpaccio, Italiano, ca. 1455-1523/26
  • Data: ca. 1480-1510
  • Materiale e tecnica: Olio e tempera su tavola
  • Dimensioni: 70,5 x 86,7 cm
  • Crediti: John Stewart Kennedy Fund, 1911
  • Numero d'inventario: 11.118
  • Curatorial Department: European Paintings

More Artwork

More Artwork
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Saint Jerome (recto); Soldier with a Spear (verso), Vittore Carpaccio Italian, Brush with black ink and gray wash, over traces of black chalk or charcoal, highlighted with white gouache on blue paper (recto); black chalk, highlighted with white gouache, with some brush and gray wash (verso)
Saint Jerome (recto); Soldier with a Spear (verso)
Vittore Carpaccio
1460–1525
Studies of a Seated Youth in Armor, Vittore Carpaccio Italian, Black chalk, point of brush and gray wash, highlighted with white gouache, on blue paper
Studies of a Seated Youth in Armor
Vittore Carpaccio
ca. 1505
Saint Martin and the Beggar, Vittore Carpaccio Italian, Pen and gray ink, brush and gray wash, over faint traces of black chalk
Saint Martin and the Beggar
Vittore Carpaccio
1493–1500
Standing Female Figure (St. Anne; Cartoon for a Painting), Vittore Carpaccio Italian, Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins
Standing Female Figure (St. Anne; Cartoon for a Painting)
Vittore Carpaccio
ca. 1502–4
The Birth of the Virgin, Fra Carnevale (Bartolomeo di Giovanni Corradini) Italian, Tempera and oil on wood
The Birth of the Virgin
Fra Carnevale (Bartolomeo di Giovanni Corradini)
1467

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