ラ・フリリューズ

1787
On view at The Met Fifth Avenue in Gallery 548
フリリューズとは、寒さに弱い女性を意味します。現在モンペリエのファーブル美術館に収蔵されている大理石の彫刻(1783年)は、元々「冬」の寓意像でした。ウードン本人が鋳造した当館所蔵のこのブロンズ像は、オルレアン公のコレクションに収蔵されていたものです。作品は、螺旋を描く柱状の構図で、必要最小限の要素の表現にとどまっています。震える体にきつく巻かれたショールは、優雅な反面、寒さを防ぐには十分ではない印象です。

Artwork Details

Object Information
  • 題: ラ・フリリューズ
  • アーティスト: ジャン=アントワーヌ・ウードン フランス、1741–1828年
  • 月日: 1787年
  • 手法: ブロンズ
  • 寸法: 高さ143.5 cm
  • 提供者: ケイト・トルビー・デービソン遺贈、1962年
  • 受け入れ番号: 62.55
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

以下でのみ利用可能: English
Cover Image for 87. Winter, Part 1

87. Winter, Part 1

Gallery 548

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ERIC KANDEL: You just want to walk up to her and put your arms around her and protect her, not only because she's cold, but also because she's sensually rather attractive and you're drawn to her.

NARRATOR: What are some of the things that happen in our brains when we look at this sculpture? Neuroscientist Eric Kandel.

ERIC KANDEL: So this activates a number of systems in the brain, those that are concerned with temperature regulation. How does that work? We are sometimes so moved by what is being depicted that we simulate the action, and there's a system in the brain called the mirror neuron system, which obviously is responding to the fact that she's shivering, and we actually feel cold when we look at something like this.

There is an area called theory of mind that becomes active when we have empathy. What is it like to be in that situation? With this sculpture, we express empathy—this poor young woman—and also, it's slightly charged sexually. So it appeals to us on many, many levels. It's remarkable.

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