Imina sirige (house mask)
Sirige masks feature prominently in ceremonies that mark the beginning and end of mourning for deceased members of the Awa society. Each row can be understood to represent a generation within a family, visually reinforcing the ancestral ties activated through funeral ceremonies. Black openwork sections, echoing the form of a house facade, are divided by lighter solid areas. Known as ganubire, the physically demanding choreography for sirige masks requires the performer to bend down so that the tip of the thirteen-foot-high structure touches the ground to one side of a funerary bundle. He then raises the mask and again bends to touch its tip to the ground on the opposite side. The arc created by this movement has been compared to the mythical path of the ark that carried the eight original ancestors from the heavens to earth.
Artwork Details
- Title: Imina sirige (house mask)
- Artist: Dogon artist
- Date: early–mid-20th century
- Geography: Mali, Bandiagara Escarpment
- Culture: Dogon peoples
- Medium: Wood, pigment
- Dimensions: H. 157 3/4 x W. 8 1/2 x D. 6 1/4 in. (400.7 x 21.6 x 15.9 cm)
- Classification: Wood-Sculpture
- Credit Line: Gift of Lester Wunderman, 1977
- Object Number: 1977.394.52a, b
- Curatorial Department: The Michael C. Rockefeller Wing
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.