Seated male figure for a komien (trance diviner)
This idealized male figure, composed of a series of harmoniously intersecting planes, was intended to entice an unruly asye usu, or nature spirit. Kept in a diviner’s shrine room as one half of a male-female pairing, it would have served as the spirit’s seat during consultations to determine the underlying cause of a client’s concerns, including physical maladies. The prominence of an Akan-style seat of office underscores the historical ties between the Baule culture and more centralized Akan groups in Ghana.
Artwork Details
- Title: Seated male figure for a komien (trance diviner)
- Artist: Baule artist
- Date: 19th–mid-20th century
- Geography: central Côte d'Ivoire
- Culture: Baule peoples
- Medium: Wood, beads
- Dimensions: H. 20 1/16 x W. 5 1/4 x D. 7 1/8 in. (51 x 13.3 x 18.1 cm)
- Classification: Wood-Sculpture
- Credit Line: The Michael C. Rockefeller Memorial Collection, Gift of Nelson A. Rockefeller, 1969
- Object Number: 1978.412.425
- Curatorial Department: The Michael C. Rockefeller Wing
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.