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The Tares (The Parables of Our Lord and Saviour Jesus Christ)

Engraver Engraved and printed by Dalziel Brothers British
1864
Not on view
It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image]." After completing a design, Millais transferred it to a woodblock coated with "Chinese" white for skilled engravers to carve. Finally, he reviewed proofs, and final adjustments were made before the final printing.
The Parable of the Wheat and the Tares (Matthew 13: 24-30) records how "The kingdom of heaven is like a man who sowed good seed in his field; but...his enemy came and sowed tares (weeds) among the wheat." Pre-Raphaelite ideals shaped Millais's combination of detailed naturalism and down-to-earth imagery to produce a work distinctly different than most religious art of the period.

Artwork Details

Object Information
  • Title: The Tares (The Parables of Our Lord and Saviour Jesus Christ)
  • Artist: After Sir John Everett Millais (British, Southampton 1829–1896 London)
  • Engraver: Engraved and printed by Dalziel Brothers (British, active 1839–93)
  • Date: 1864
  • Medium: Wood engraving; proof
  • Dimensions: image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm)
    sheet: 7 5/16 x 6 1/16 in. (18.6 x 15.4 cm)
  • Classification: Prints
  • Credit Line: Rogers Fund, 1921
  • Object Number: 21.68.4(3)
  • Curatorial Department: Drawings and Prints
More Artwork
After Sir John Everett Millais
Engraver Plates engraved and printed 1864 by Dalziel Brothers
Publisher Issued privately by Charles Dalziel from the Camden Press
1864–1902
Portia, Sir John Everett Millais  British, Oil on canvas
Sir John Everett Millais
1886
Grand Pianoforte, Érard , made in London French, Satinwood veneer, oak, spruce, iron, steel, ebony, ivory, gilding, mother-of-pearl, holly, mahogany, burl walnut, tulipwood, silver wire, British
Manufacturer Érard
Designer George Henry Blake
ca. 1840
Au Bon Marché-Comptoir des Modes, Chapeaux de Dentelles et de Crêpe, Été 1891, Wood engraving
1891
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), Sir John Everett Millais  British, Mezzotint, etching and stipple on chine collé; proof
Multiple artists/makers
March 1, 1866

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