Great Highland Bagpipe/ Piob Mhór
This Great Highland Bagpipe is marked R. McKinnon, Glasgow. Robert McKinnon (ca.1834/5-1907) was a bagpipe maker active between 1875 and 1902 in Glasgow. Prior to that, he had a distillery and spirit business. He was an active player and dancer, and regularly competed in both disciplines, winning first and second prizes. He is also reported to have played and danced for Queen Victoria. In 1884, McKinnon published a tutor for Highland bagpipe music (Campbell 2001:62-64).
This Great Highland Bagpipe features a conical chanter made of blackwood, three drones (bass and two tenors), and a conical insufflation pipe with a leather flapper valve. The old sewn leather bag it originally came with is missing. The Black Watch tartan bag and ribbons were added in 1971 to prepare the instrument for an exhibition, as the bag and original cover were missing. The choice of the tartan was made by textile conservator Vi Paucek. This tartan was worn by Scottish companies in the British Army and was also worn the Black Watch regiment in the British Army, formed in 1881. Previously, the Black Watch was a group of companies formed in 1725 to patrol the Highlands in the aftermath of the Jacobite rebellions.
This instrument was part of the original 270 instruments donated to the collection in 1889 by Mary Elizabeth Brown (Balosso-Bardin 2023).
(Cassandre Balosso-Bardin, 2023)
Technical Description
Conical single chanter of black wood, 7/1 holes, 2 ventholes, cane double reed on metal staple;
3 drones: bass in 3 sections, 2 tenor drones both in 2 sections; cylindrical bores; single downcut cane reeds, tuning bridle;
Conical insufflation pipe; leather flapper valve;
Bag missing (was sewn leather bag according to old records);
Modern Black Watch regimental tartan bag cover stuffed and sewn to simulate appearance of bag, with stocks sewn into cover (added in 1971);
5 cylindrical black wood stocks;
Stocks and pipes (except chanter) with grooved decoration, all mounted with ivory;
Blowpipe tipped with horn;
Black Watch ribbons joining 3 drones.
Chanter: L. 359 mm (14.13 in.)
Bass drone: L. 671 mm (26.5 in)
Tenor 1: L. 361 mm (14.25 in.)
Tenor 2: L. 361 mm (14.25 in.)
References
Balosso-Bardin, Cassandre, 2023. Five illustrated bagpipes in "Musical instruments and their homes": An insight into the 19th-century instrument collector’s world. Bibliolore.
Campbell, Jeannie, 2001. Highland Bagpipe Makers. Magnus Orr Pub.
This Great Highland Bagpipe features a conical chanter made of blackwood, three drones (bass and two tenors), and a conical insufflation pipe with a leather flapper valve. The old sewn leather bag it originally came with is missing. The Black Watch tartan bag and ribbons were added in 1971 to prepare the instrument for an exhibition, as the bag and original cover were missing. The choice of the tartan was made by textile conservator Vi Paucek. This tartan was worn by Scottish companies in the British Army and was also worn the Black Watch regiment in the British Army, formed in 1881. Previously, the Black Watch was a group of companies formed in 1725 to patrol the Highlands in the aftermath of the Jacobite rebellions.
This instrument was part of the original 270 instruments donated to the collection in 1889 by Mary Elizabeth Brown (Balosso-Bardin 2023).
(Cassandre Balosso-Bardin, 2023)
Technical Description
Conical single chanter of black wood, 7/1 holes, 2 ventholes, cane double reed on metal staple;
3 drones: bass in 3 sections, 2 tenor drones both in 2 sections; cylindrical bores; single downcut cane reeds, tuning bridle;
Conical insufflation pipe; leather flapper valve;
Bag missing (was sewn leather bag according to old records);
Modern Black Watch regimental tartan bag cover stuffed and sewn to simulate appearance of bag, with stocks sewn into cover (added in 1971);
5 cylindrical black wood stocks;
Stocks and pipes (except chanter) with grooved decoration, all mounted with ivory;
Blowpipe tipped with horn;
Black Watch ribbons joining 3 drones.
Chanter: L. 359 mm (14.13 in.)
Bass drone: L. 671 mm (26.5 in)
Tenor 1: L. 361 mm (14.25 in.)
Tenor 2: L. 361 mm (14.25 in.)
References
Balosso-Bardin, Cassandre, 2023. Five illustrated bagpipes in "Musical instruments and their homes": An insight into the 19th-century instrument collector’s world. Bibliolore.
Campbell, Jeannie, 2001. Highland Bagpipe Makers. Magnus Orr Pub.
Artwork Details
- Title: Great Highland Bagpipe/ Piob Mhór
- Maker: Robert MacKinnon (Scottish, active Glasgow 1875–1902)
- Period: Late 19th century
- Geography: Glasgow, Scotland
- Culture: Scottish
- Medium: wood, ivory, horn, cloth
- Dimensions: Chanter: L. 359 mm (14.13 in.)
Bass drone: L. 671 mm (26.5 in)
Tenor 1: L. 361 mm (14.25 in.)
Tenor 2: L. 361 mm (14.25 in.) - Classification: Aerophone-Reed Vibrated-bagpipe
- Credit Line: The Crosby Brown Collection of Musical Instruments, 1889
- Object Number: 89.4.863
- Curatorial Department: Musical Instruments
More Artwork
A slider containing 5 items.
Press the down key to skip to the last item.
Press the down key to skip to the last item.
Scottish
German or Italian
early 17th century (?)
Scottish
Scottish
French
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.