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An Indian Bish-Khopra Lizard

ca. 1790
Not on view
This painting of the Indian Bish-Khopra Lizard was commissioned by a member of the British East India Company, and as the Persian number in the corner indicates, it was part of a larger series of paintings illustrating the flora and fauna of India. The artist has depicted the full body of the lizard in meticulous detail, with colorful scales and sprawled limbs. The folio also includes a partial drawing of the lizard's head in profile, with its eyes closed and forked tongue projecting from its mouth through sharp teeth. Inscriptions in Persian and Latin identify this creature as a particular species of lizard of the genus Varanus bengalensis, sometimes known in English as "monitor lizards" due to their habit of resting on their hind legs and surveying for possible predators.

Artwork Details

Object Information
  • Title: An Indian Bish-Khopra Lizard
  • Date: ca. 1790
  • Geography: Made in India, Lucknow
  • Medium: Watercolor and ink on paper
  • Dimensions: H. 12 5/8 in. (32 cm)
    W. 18 13/16 in. (47.8 cm)
  • Classification: Codices
  • Credit Line: Purchase, Henrie Jo Barth Bequest, 2019
  • Object Number: 2019.120
  • Curatorial Department: Islamic Art

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The Bara Imambara Complex at Lucknow, Ink and opaque watercolor on paper
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"Akbar With Lion and Calf", Folio from the Shah Jahan Album, Govardhan, Ink, opaque watercolor, and gold on paper
"Akbar With Lion and Calf", Folio from the Shah Jahan Album
Painting by Govardhan
Calligrapher Mir 'Ali Haravi
verso: ca. 1630; recto: ca. 1530–50
Prince and Ladies in a Garden, Nidha Mal Indian, Ink, opaque watercolor, and gold on paper
Prince and Ladies in a Garden
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mid-18th century
"Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan Album, Chitarman Indian, Ink, opaque watercolor, and gold on paper
"Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan Album
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recto: dated 1627–28; verso: ca. 1530–50
A Gathering of Holy Men of Different Faiths, Mir Kalan Khan, Opaque watercolor and gold on paper
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