Streams and Mountains without End
Streams and Mountains without End is the grandest surviving handscroll painting from the brush of Wang Yuanqi, one of the most celebrated painters of the Qing dynasty. Subtly varied ink tones describe a vast and constantly evolving riverscape, which unfurls across a handscroll more than seventy feet long. The painting shows many hallmarks of Wang’s typical approach to brushwork and composition—for instance, his layering of brushstrokes and confident interweaving of void and solid. A bold, experimental quality is also evident. Brash contour lines and dotting, along with some particularly daring compositional strategies, make this scroll unusual within the artist’s oeuvre.
As the scroll unfurls, Wang cycles through his interpretation of different old master styles, weaving them seamlessly into a cohesive whole. Wang Yuanqi did not sign this work, but he did apply a seal at the very end bearing the character for “servitor” (chen 臣), meaning that he made it for the emperor. This painting, which was documented in the eighteenth century but has been unknown to scholars and painters since, was recently promised to The Met by the family of Lo Chia-Lun, making its debut in this exhibition.
As the scroll unfurls, Wang cycles through his interpretation of different old master styles, weaving them seamlessly into a cohesive whole. Wang Yuanqi did not sign this work, but he did apply a seal at the very end bearing the character for “servitor” (chen 臣), meaning that he made it for the emperor. This painting, which was documented in the eighteenth century but has been unknown to scholars and painters since, was recently promised to The Met by the family of Lo Chia-Lun, making its debut in this exhibition.
Artwork Details
- 清 王原祁 溪山無盡圖 卷
- Title: Streams and Mountains without End
- Artist: Wang Yuanqi (Chinese, 1642–1715)
- Period: Qing dynasty (1644–1911)
- Date: ca. 1710
- Culture: China
- Medium: Handscroll; ink on paper
- Dimensions: Image: 17 1/8 in. × 70 ft. (43.5 × 2133.6 cm)
- Classification: Paintings
- Credit Line: Partial and Promised Gift of the Family of Lo Chia-Lun, 2022
- Object Number: 2022.128
- Curatorial Department: Asian Art
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.