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가니메데스 그룹

ca. 330–300 BCE
On view at The Met Fifth Avenue in Gallery 158
목걸이, 반지, 한 쌍의 귀걸이, 네 개의피불라(안전 핀) 및 두 개의 팔찌는 정교한 보석군을 구성하지만 개별 작품의 상이한 양식은 동시에 제작되지 않았음을 짐작케 합니다. 독수리 날개에 감싸인 젊은 가니메데스를 묘사한 세밀화가 있는 귀걸이는 특히 주목할 만합니다. 제우스 신은 독수리로 변신하여, 이 소년을 올림포스 산으로 데려가 술 따르는 종자로 삼으려고 하였습니다. 반지에는 이집트 또는 우랄 산맥산 에메랄드가 박혀 있으며 팔찌에는 금사와 수정 장식이 있습니다.

Artwork Details

Object Information
  • 제목: 가니메데스 그룹
  • 연대: 기원전 330– 300년경
  • 문화: 그리스
  • 재료: 금, 수정, 에메랄드
  • 크기: 목걸이 길이 33cm, 귀걸이 길이 6cm, 팔찌 직경 7.9cm 피불라 직경 5cm, 반지 높이 2.1cm
  • 크레디트 라인: 해리스 브리스베인 딕 기금, 1937
  • 작품 번호: 37.11.8–.17
  • Curatorial Department: Greek and Roman Art

Audio

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Cover Image for 1061. Ganymede jewelry

1061. Ganymede jewelry

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The Macedonians of northern Greece buried their dead with rich grave goods, including meticulously made gold jewelry. This impressive ensemble shows the incredible refinement of Greek gold work in the fourth century B.C. The earrings in this set are of special interest. Each features a solid-cast nude boy in the clutches of a majestic eagle. The boy is the young Trojan prince Ganymede, whom Zeus carried away up to Olympus to be his cup-bearer. The eagle is Zeus’ bird, or Zeus himself, tenderly holding Ganymede in his talons.

The Greek goldsmith treated the earrings as sculpture in miniature and lavished them with a wealth of fine detail. Look at the eagle’s feathers and the delicate wisp of drapery fluttering in the air. The toes of Ganymede’s front foot are flexed; perhaps he is just touching down on Mount Olympus, the home of the gods.

This motif works beautifully for a pair of drop earrings, dangling over the wearer's shoulders. But the goldsmith probably adapted the composition from a piece of large-scale sculpture. The ancient writer Pliny described one such work in these words: “The eagle senses what a prize he is ravishing in Ganymede, and to whom he is carrying him.”

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