Titlepage to Lancelot. Andrewes: "The Forme of Consecration of a Church or Chappel and of the place of Christian Buriall"

Author Related author Lancelot Andrewes British

1659

Not on view

This Form, by Lancelot Andrewes (one of the primary translators of the King James Bible), was one of the first and proved to be probably the most influential. It was the basis of a Form still in use today, drawn up by Convocation in 1712

Artwork Details

Title: Titlepage to Lancelot. Andrewes: "The Forme of Consecration of a Church or Chappel and of the place of Christian Buriall"
Series/Portfolio: Title Pages by Author
Artist: Wenceslaus Hollar (Bohemian, Prague 1607–1677 London)
Author: Related author Lancelot Andrewes (British, London 1555–1626 Southwark)
Date: 1659
Medium: Etching; second state of two
Dimensions: Sheet: 5 in. × 2 11/16 in. (12.7 × 6.8 cm)
cut on and fractionally within the platemark
Classification: Prints
Credit Line: Rogers Fund, 1920
Object Number: 20.81.3.370
Curatorial Department: Drawings and Prints

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Bride, from "Dance of Death", Wenceslaus Hollar Bohemian, Etching; second state of four — Bride, from "Dance of Death"
Etcher Wenceslaus Hollar
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[1651] late 18th century printing

Decanter, Blown, cut, and engraved glass, Bohemian — Decanter
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Nocturne: Palaces, James McNeill Whistler American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper. — Nocturne: Palaces
James McNeill Whistler
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Charles I, Wenceslaus Hollar Bohemian, Silk and metal thread on silk, British — Charles I
After an engraving of by Wenceslaus Hollar
1650–70

Tumbler, Blown, cut, and engraved glass, Bohemian — Tumbler
Bohemian
1790–1810

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