The Actor Ichikawa Ebizō (formerly Danjūrō V) as Kemushi Babā of Anō Village
At the opening of the theatre season in the previous year, at the same theatre, the most momentous shūmei (actor name announcement) of the era occurred when the actors Ichikawa Danjūrō V and Ichikawa Ebizō IV “traded” stage names to become respectively Ichikawa Ebizō and Ichikawa Danjūrō VI. According to records, it was decided that Danjūrō V’s son Ebizō (with Ebi written 海老, meaning “shrimp,” but literally, “old man of the sea”) would become Danjūrō VI in the eleventh month of 1791 (Kansei 3). The father, at age 51, would then be called Ebizō 鰕蔵, but with “Ebi” written with the character 鰕 (referring generally to zakoebi 天鰕, “heavenly shrimp”). It is said that Danjūrō V wanted to use a different way to write the famous name because he humbly declared “A grandfather will never be the equal of the father of the shrimp (祖父や父親の海老には及びません).
Artwork Details
- 市川蝦蔵 (先の五代目市川団十郎) の穴生の里の毛虫ばゞア
- Title: The Actor Ichikawa Ebizō (formerly Danjūrō V) as Kemushi Babā of Anō Village
- Artist: Katsukawa Shun'ei 勝川春英 (Japanese, 1762–1819)
- Period: Edo period (1615–1868)
- Date: 1792 (Kansei 4), 8th month
- Culture: Japan
- Medium: Right sheet of a diptych of woodblock prints (niskiki-e); ink and color on paper
- Dimensions: Vertical hosoban; Image: 12 3/4 × 5 3/4 in. (32.4 × 14.6 cm)
- Classification: Prints
- Credit Line: Purchase, Joseph Pulitzer Bequest, 1918
- Object Number: JP320
- Curatorial Department: Asian Art
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