"Dating Velázquez's The Supper at Emmaus"
Charlotte Gere
Charlotte Hale
Charlotte Hale joined the Department of Paintings Conservation at The Met in 1987. She specializes in the examination and treatment of nineteenth century European paintings. Among recent conservation treatments are pictures by Delacroix, Degas, Renoir, Seurat, and Van Gogh. She has worked closely with curatorial colleagues on exhibitions including Van Gogh: Irises and Roses (2015), and Seurat's Circus Sideshow (2017), and Van Gogh’s Cypresses (2023). Charlotte received her training in the conservation of paintings at the Courtauld Institute of Art, London.
———. "A Template for Experimentation: Cézanne's Process and the Paintings of Hortense Fiquet." In Madame Cézanne, by Dita Amory, The Metropolitan Museum of Art, New York, Distributed by Yale University Press, New Haven and London, 2014, 45-71.
——— and Silvia A. Centeno. "Seurat’s Circus Sideshow; Materials, Technique, Evolution." In Seurat’s Circus Sideshow, by Richard Thomson, The Metropolitan Museum of Art, New York, Distributed by Yale University Press, New Haven and London, 2014, 112-116.
——— and Silvia A. Centeno. “Untangling Nature; Van Gogh’s Materials and Process.” In Van Gogh’s Cypresses, by Susan Alyson Stein. The Metropolitan Museum of Art, New York, Distributed by Yale University Press, New Haven and London, 2023, pp. 92-109
Met Art in Publication
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