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Goya in The Metropolitan Museum of Art

Goya in The Metropolitan Museum of Art

Ives, Colta, and Susan Alyson Stein
1995
80 pages
45 illustrations
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Foreword
Philippe de Montebello

Preface and Acknowledgments

Goya in the Metropolitan: The Artist and His Works
Colta Ives

Goya in the Metropolitan: A History of the Collection
Susan Alyson Stein

Majas on a Balcony: Is the Museum's Painting by Goya?

Checklist of the Museum's Paintings, Drawings, and Prints by Goya

Museum Exhibitions and Publications of Goya's Works

Selected Bibliography

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
1787–88
Self-portrait, Goya (Francisco de Goya y Lucientes)  Spanish, Brush and point of brush, carbon black ink, on laid paper
ca. 1796
Blind Guitarist, Goya (Francisco de Goya y Lucientes)  Spanish, Etching
ca. 1778
Garroted Man, Goya (Francisco de Goya y Lucientes)  Spanish, Etching, printed in blue (working proof)
ca. 1775–78
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
1787–88
Girl on a swing, a man with his arms raised; folio 21 (recto) from the Madrid Album "B", Goya (Francisco de Goya y Lucientes)  Spanish, Brush and point of brush, carbon black washes, on laid paper
1795–97
Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint, burin
1799
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, aquatint
1799
'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women  Album (D), Goya (Francisco de Goya y Lucientes)  Spanish, Brush, carbon black and gray ink and wash, touches of black chalk, on laid paper
ca. 1819–23
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
1804
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
1804
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes)  Spanish, Brush, carbon black gray ink and was, scraper on laid paper
ca. 1816–20
Plate 26  from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished lavis, drypoint, burin
1810 (published 1863)
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes)  Spanish, Etching, burnished aquatint, drypoint
ca. 1815–19 (published ca. 1848)
A nun frightened by a ghost playing a guitar; page 65 from the "Images of Spain" Album (F), Goya (Francisco de Goya y Lucientes)  Spanish, Brush and point of brush, brown ink washes, black chalk, on laid paper
ca. 1812–20
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
1820
Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid, Goya (Francisco de Goya y Lucientes)  Spanish, Etching, aquatint
1816
Bullfight in a divided ring, from the 'Bulls of Bordeaux', Goya (Francisco de Goya y Lucientes)  Spanish, Lithograph
1825
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
1792
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883), Goya  Spanish, Oil on canvas
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View Citations

Ives, Colta Feller, and Susan Alyson Stein. 1995. Goya in the Metropolitan Museum of Art. New York: The Museum.