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Meet the Artists: John Jennings

“Afrofuturism is not being generated out of an ivory-tower mentality. It’s coming from the streets.”
— John Jennings

Meet @johnjenningsart, bestselling author and illustrator whose graphic novella "Protocol and Response"—featured in The Met's latest Bulletin, dedicated to Before Yesterday We Could Fly: An Afrofuturist Period Room—animates the objects on display in the period room.

Hear more from Jennings on his work, passion for science fiction, and his thoughts on Black identity and the role museums play in surfacing and preserving Black stories.

Take a virtual tour of the exhibition to explore further.


Contributors

Managing Producer: Kate Farrell
Producer: Melissa Bell
Editor: Lela Jenkins
Graphic Design: Abby Chen
Music: Austin Fisher
Photographs: Paul Lachenauer

Special thanks: John Jennings, Sarah Lawrence, Ian Alteveer, Ana Matisse Donefer-Hickie, Claire Lanier, Victoria Martinez, Sofie Andersen


Person leaning over a small pedestal table, shaping a white sculpture with a handheld tool. Colorful artworks are blurred in the background.
Video
The four metallic, monumental works on The Met’s Fifth Avenue facade mark Chinese artist Liu Wei’s first major presentation in the United States.
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Detail of a black ceramic vessel with a shiny, burnished surface and two small raised bumps at the base of the neck.
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Magdalene Odundo reflects on ceramic traditions, gender, and the universality and humanity of clay through the lens of a Kurumba vessel.
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Stylized urban scene with figures and machinery in motion. Bold use of black and orange illustrates dynamic city life and industrial energy.
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For over six decades, artist John Wilson (1922–2015) created powerful and poetic works that reflected his ongoing quest for racial, social, and economic justice.
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