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The Met Fifth facade
In celebration of the fiftieth episode of MetCollects, Video Editor Sarah Cowan and Production Editor Dana Miller discuss how the online series began and take a look at what's to come next.
Dana Miller and Sarah Cowan
March 19, 2018
The Met Fifth facade
Exhibition co-curator Tim Barringer shows how the artist brought the expansive vistas of massive panoramas to scale.
Tim Barringer
March 16, 2018
The Met Fifth facade
Senior Editor Sumi Hansen interviews Curator Soyoung Lee about the exhibition Diamond Mountains: Travel and Nostalgia in Korean Art.
Sumi Hansen
March 15, 2018
The Met Fifth facade
Art critic and host of the Modern Art Notes Podcast Tyler Green tells the history of how Thomas Cole and Ralph Waldo Emerson set the stage for national parks in the United States.
Tyler Green
March 12, 2018
The Met Fifth facade
Digital Editor Pac Pobric looks to a Chinese handscroll to explain how poetry can enliven a painting.
Pac Pobric
March 12, 2018
The Met Fifth facade
Curator Elizabeth Kornhauser and research associate Shannon Vittoria trace their journey following in Thomas Cole's footsteps as they prepared the exhibition Thomas Cole's Journey: Atlantic Crossings.
Elizabeth Mankin Kornhauser and Shannon Vittoria
March 2, 2018
The Met Fifth facade
What do the 2018 Winter Olympics in South Korea and an exhibition of Korean art at The Met have in common? Soyoung Lee, curator of Diamond Mountains: Travel and Nostalgia in Korean Art, explains.
Soyoung Lee
February 20, 2018
Henry Ossawa Tanner and Charles Grafly at The Met
The relocation of Charles Grafly's portrait bust of Henry Ossawa Tanner connects the work of two American artists.
Will Fenstermaker
February 15, 2018
The Met Fifth facade
Volunteer Cataloger Nancy Rosin highlights a selection of rare, intricate valentines from the 18th and 19th centuries that are now part of The Met collection.
Nancy Rosin
February 13, 2018
The Met Fifth facade
Managing Editor Michael Cirigliano II highlights Franz von Stuck's Inferno, a recent addition to The Met collection, and recounts the painting's first appearance at the Museum in 1909.
Michael Cirigliano II
February 5, 2018