This isn't just an engraving of Adam and Eve from 1504. It's a global ad campaign

"Prints interest me because they circulate in society."

"Prints interest me because they circulate in society."

Curator Freyda Spira on Albrecht Dürer's print "Adam and Eve."

Explore this object:
https://www.metmuseum.org/art/collection/search/336222

Throughout 2013, The Metropolitan Museum of Art invited curators from across the Museum to each talk about one artwork that changed the way they see the world.

Photography by Katherine Dahab

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Contributors

Freyda Spira
Associate Curator, Department of Drawings and Prints

A small wooden carved box featuring figures and a tree in relief.
The author of After Sappho offers a queer feminist reading of Eve and the serpent, reimagining sin as likeness, desire, and bodies transcending gender and species.
Selby Wynn Schwartz
January 9
A close-up detail of a painted face rendered in muted green, blue, and gray tones.
Author Leena Krohn reflects on Helene Schjerfbeck’s portrait of Sigrid Nyberg.
Leena Krohn
December 18, 2025
Black woman wearing all black, standing in front of mannequins dressed in blue, yellow and beige.
Video

Superfine Artist Tanda Francis, shares her inspiration behind the design of the custom mannequins used in the Superfine: Tailoring Black Style exhibition.

October 23, 2025
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Adam and Eve, Albrecht Dürer  German, Engraving
Albrecht Dürer
1504