ticketsMember | Make a donation

The rare tapestry that changed how others were made

"Faded as it is, damaged as it is, it still almost moves me to tears that it survives."
Thomas P. Campbell
2 min. watch

"Faded as it is, damaged as it is, it still almost moves me to tears that it survives."

Thomas P. Campbell on the tapestry "The Last Supper."

Explore this object:
https://www.metmuseum.org/art/collection/search/459205

Throughout 2013, The Met invited curators from across the Museum to each talk about one artwork that changed the way they see the world.

Photography by Peter Zeray

Subscribe for new content from The Met: https://www.youtube.com/user/metmuseum?sub_confirmation=1

#TheMet #ArtExplained #Art

Contributors

Thomas P. Campbell
Former Director and CEO

More from The Met

Futuristic sculpture of a fragmented, abstract human form in stone against a neoclassical arch. The tone is dynamic and modern amidst classical architecture.
The Fierce Animacy of the (In)Human Ornament
How do Lee Bul’s sculptures hold space for critical remembrance to show how the past shapes our present?
Anne Anlin Cheng
May 16
Two people admire a framed portrait of a woman in a black gown against a dark backdrop. The gallery setting is elegant and contemplative.
Video
Exhibition Tour— Sargent and Paris
May 8
Close-up of a Queen of Clubs playing card with a cut-out section. Behind it, a faded, ghostly face is visible, creating a surreal, mysterious mood.
The Mediated Image and Jesse Krimes
The artist’s work challenges the social and political context of mass incarceration.
Lisa Sutcliffe
April 28
More in:Art Explained

Art Mentioned

A slider containing 1 items.
Press the down key to skip to the last item.
The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread.
The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28