English
DonateMembershipTickets

Breakthrough

This video is part of 82nd and Fifth, a series that invites curators from across the Museum to talk about an artwork that changed the way they see the world.

“Faded as it is, damaged as it is, it still almost moves me to tears that it survives.”

Thomas P. Campbell on the sixteenth-century tapestry The Last Supper.


Contributors

Thomas P. Campbell
Former Director and CEO

Photography by Peter Zeray


The Last Supper, Bernard van Orley  Netherlandish, Wool, silk, silver-gilt thread.
Designed by Bernard van Orley
Probably woven by Pieter de Pannemaker
ca. 1525–28
Magical by Adela Oppenheim
Video
Decoding the necklace of an Ancient Egyptian princess.
Adela Oppenheim
October 3, 2013
Metaphorical by Shi yee Liu
Video
How Liang Kai paints with metaphor.
Shi-yee Liu
October 3, 2013
Open-Minded by Navina Haidar
Video
The details in this painting of Krishna reflect cross-cultural open-mindedness.
Navina Najat Haidar
October 3, 2013