The Crown of the Andes

“Where are the boundaries of American art?”

"Where are the boundaries of American art?" Ronda Kasl on the "Crown of the Andes."

Featured artwork:
Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes, ca. 1660 (diadem) and ca. 1770 (arches). Colombian, Popayán. Gold, repoussé and chased; emeralds; 13 1/2 in. (34.3 cm), Body diameter: 13 1/4 in. (33.7 cm). The Metropolitan Museum of Art, New York, Purchase, Lila Acheson Wallace Gift, Acquisitions Fund and Mary Trumbull Adams Fund, 2015 (2015.437) http://met.org/24nWfFK

MetCollects introduces highlights of works of art recently acquired by The Met through gifts and purchases.

Footage courtesy of eFootage, LLC, used by permission.
Footage excerpted from "Corpus," a documentary by Raul Goyburu.


Contributors

Ronda Kasl
Curator of Latin American Art, the American Wing

Man and woman looking down observing a stain glass window.
Video
Watch as a three-part Tiffany window that was conceived, commissioned, and crafted by women arrives at The Met.
December 11, 2025
Florencio Delgado Espinoza gazes at the seated elder statue in the Arts of the Ancient Americas galleries.
Audio
Florencio Delgado Espinoza takes a close look at a large La Tolita-Tumaco figurine depicting an elder, also called a cacique, in a seated position.
December 4, 2025
Scenic landscape with low green scrub and brush against blue-gray mountains cast in sunlight and shadows.
Celebrated composer Gabriela Ortiz sets her latest vocal work to a new Nahuatl poem to mark the reopening of The Michael C. Rockefeller Wing.
Emery Kerekes
November 6, 2025
More in:MetCollectsHispanic/Latine HeritageRecent AcquisitionsPower & Privilege

A slider containing 1 items.
Press the down key to skip to the last item.
Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes, Gold, repoussé and chased; emeralds, Colombian; Popayán
Colombian; Popayán
Ca. 1660 (diadem) and ca. 1770 (arches)