Rashida Bumbray | Civic Practice Partnership, 2017–2021

Civic Practice Partnership artist-in-residence Rashida Bumbray is a performance artist, curator, choreographer, and the Director of Culture and Art at the Open Society Foundations. Her work focuses on Black urban spaces and communities, and what it means to be in a space that has layers of generational trauma.

"I grew up going to museums, loving museums, but also understanding the sort of complicated relationship that museums have for people whose objects are stored inside of them."

Civic Practice Partnership artist-in-residence Rashida Bumbray is a performance artist, curator, choreographer, and the Director of Culture and Art at the Open Society Foundations. Her work focuses on Black urban spaces and communities, and what it means to be in a space that has layers of generational trauma. During her residency, she was commissioned to make a film for the 100 Years, 100 Women Project, about the anniversary of suffrage for women. She also staged activations in the African art and Egyptian art galleries of The Met, which focused on revitalizing the objects those collections contain. She is currently completing a second film she directed as part of her residency.


The Met's Civic Practice Partnership (CPP), launched in 2017, catalyzes and implements creative projects that advance healthy communities by bringing the skills and interests of neighborhood stakeholders together with those of The Met and artists who are socially minded in their practice. Invited CPP artists work in their own neighborhoods across New York City and at The Met to develop and implement ambitious projects and forge meaningful collaborations.

Subscribe for new content from The Met: https://www.youtube.com/user/metmuseum

#TheMet #Art #TheMetropolitanMuseumofArt #Museum

© 2023 The Metropolitan Museum of Art


A small wooden carved box featuring figures and a tree in relief.
The author of After Sappho offers a queer feminist reading of Eve and the serpent, reimagining sin as likeness, desire, and bodies transcending gender and species.
Selby Wynn Schwartz
January 9
Black and white image of man standing next to mural depicted in black and white of a mother shielding her baby and while a strong black meale guards her.
How did John Wilson’s depiction of violence towards Black families embody systemic problems facing Black mothers in the United States?
Lisa E. Farrington and Leslie Farrington
January 7
A close-up detail of a painted face rendered in muted green, blue, and gray tones.
Author Leena Krohn reflects on Helene Schjerfbeck’s portrait of Sigrid Nyberg.
Leena Krohn
December 18, 2025
More in:InspirationBlack HistoryIdentity

A slider containing 2 items.
Press the down key to skip to the last item.
Housetop and Bricklayer with Bars quilt, Lucy T. Pettway  American, Top and back: cotton and acetate
Lucy T. Pettway
ca. 1955
The Temple of Dendur, Aeolian sandstone
completed by 10 B.C.