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Never-before-seen paintings and works on paper by London-based artist Raqib Shaw (Indian, born 1974) will be on view at The Metropolitan Museum of Art from November 4, 2008, through March 8, 2009.
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On the occasion of the 400th anniversary of Henry Hudson's historic voyage from the Netherlands to New York, the Rijksmuseum in Amsterdam has sent The Milkmaid, perhaps the most admired painting by the Dutch artist Johannes Vermeer (1632—1675), to The Metropolitan Museum of Art. To celebrate this extraordinary loan, the Metropolitan Museum presents Vermeer's Masterpiece The Milkmaid, a special exhibition beginning September 10, which also includes all five paintings by Vermeer from its collection, as well as a select group of works by other Dutch artists, placing Vermeer's superb picture in its historical context. The exhibition marks the first time that the painting has traveled to the United States since it was exhibited at the 1939 World's Fair.
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Beginning around four thousand years ago in the lands of western Asia and the eastern Mediterranean, one of the first international ages in human history emerged. Intense exchange fostered a burst of creativity in Mesopotamia, Egypt, Anatolia, the Levant, and the Aegean in the second millennium B.C.—the time of the Middle and Late Bronze Ages. The quest for raw materials such as metals, semiprecious stones, and other exotic luxury goods led to contacts with the Iranian plateau and Central Asia. Within this lively sphere of interaction, societies that otherwise differed strongly in culture and language were linked by the exchange of objects and ideas. In response, new international styles and imagery arose, reflected in the art, trade and diplomacy that connected the Mesopotamian heartland with the regions "Beyond Babylon."
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Africa's extraordinary legacy of textile arts, with its explosive color and complex graphic statements, will be presented at The Metropolitan Museum of Art beginning September 30. Bringing together more than 40 works dating from the early 19th century to the present – including a spectacular silk and cotton kente prestige cloth woven in Ghana during the 19th century and a 30-foot-long installation work by contemporary artist Yinka Shonibare – The Essential Art of African Textiles: Design Without End will highlight the enduring significance of textiles as a major form of aesthetic expression across the continent. While examining some of the finest and earliest preserved examples of different regional textile traditions, the exhibition will relate these to works by eight contemporary artists, who draw inspiration from textiles in their explorations of other media ranging from sculpture, painting, and photography to video and installation art. Works selected for the exhibition are drawn primarily from the collections of the Metropolitan and the British Museum as well as several private collections in the U.S. and Europe.
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American-born artist Alexander Calder (1898–1976) is celebrated for his mobiles, stabiles, paintings, and objets d'art. The landmark exhibition Calder Jewelry—to be on view at The Metropolitan Museum of Art from December 9, 2008, through March 1, 2009—is the first museum presentation dedicated solely to his extensive output of inventive jewelry. During his lifetime, Calder produced approximately 1,800 unique pieces of brass, silver, and gold body ornaments, often embellished with found objects such as beach glass, ceramic shards, and wood. Calder Jewelry will feature approximately 90 works—necklaces, bracelets, earrings, brooches, and tiaras—many of which were made as personal gifts for the artist's family and friends.
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"It is unbelievable how much is spent on these new weddings…."
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"Nothing is more abstract than reality."
-Giorgio Morandi, 1955
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"We mingle our praises with those of God's angels, whom we cannot hear."
Cassiodorus (sixth-century Roman scholar and monk)
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EDITORS PLEASE NOTE: Information provided below is subject to change.
To confirm scheduling and dates, call the Communications Department at (212) 570-3951.
CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.
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The Christmas tree and Neapolitan Baroque crèche at The Metropolitan Museum of Art, a long-established yuletide tradition in New York, will be on view for the holiday season from November 25, 2008 through January 6, 2009. The brightly lit, 20-foot blue spruce – with a collection of 18th-century Neapolitan angels and cherubs among its boughs and groups of realistic crèche figures flanking the Nativity scene at its base – will once again delight holiday visitors in the Museum's Medieval Sculpture Hall. Set in front of the 18th-century Spanish choir screen from the Cathedral of Valladolid, with recorded Christmas music in the background and daily lighting ceremonies, the installation reflects the spirit of the holiday season.
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Some 900 outstanding examples of medieval art created between the fourth and 14th centuries return to view this fall in The Metropolitan Museum of Art's newly expanded Mary and Michael Jaharis Galleries for Byzantine Art and new Gallery for Western European Art from 1050 to 1300. The new galleries incorporate the recently acquired "Jaharis Byzantine Lectionary"—an important, rare, and beautifully ornamented liturgical manuscript from about 1100—in an apse-like space, while the former Medieval Tapestry Hall has been transformed into a grand space for the presentation of western European art from the early Middle Ages.
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More than any other type of picture, photographs seem to have a direct and natural connection to visible reality. Reality Check: Truth and Illusion in Contemporary Photography surveys the ways in which artists exploit illusionism in photography to blur the distinction between what is real and what is not. Among the works featured are photographs of staged scenarios and constructed environments that appear to be real, as well as real scenes or landscapes that appear strangely artificial. On view at The Metropolitan Museum of Art from November 4, 2008, through March 22, 2009, Reality Check is the third installation in the Joyce and Robert Menschel Hall for Modern Photography, the Museum's new gallery for contemporary photographs.
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To celebrate Philippe de Montebello's 31 years as Director of The Metropolitan Museum of Art, the curators of the Museum have organized an exhibition of approximately 300 of the more than 84,000 works of art acquired during his tenure. This unique project – The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions, which will be on view in The Tisch Galleries from October 24, 2008, through February 1, 2009 – is a collaboration of the curators currently working in the Museum's 17 curatorial departments. Special emphasis will be placed on works that were transformative to the Metropolitan Museum's collections by building on existing strengths and expanding into new areas of collecting. Mr. de Montebello – the eighth and longest-serving Director of The Metropolitan Museum of Art – announced in January his plans to retire at the end of the year.
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Sixteen photographs by contemporary artist Shigeyuki Kihara (b. 1975, Samoa) will be on view at The Metropolitan Museum of Art beginning October 7. This marks the first presentation of Samoan contemporary art at the Museum. Shigeyuki Kihara: Living Photographs explores themes of Pacific culture, identity, colonialism, indigenous spirituality, stereotypes, gender roles, and consumerism. Works on view include a hauntingly beautiful picture from the artist's 2004 Vavau series called Taema ma Tilafaiga: Goddess of Tatau, depicting Samoan goddesses chanting about the art of tattooing, as well as a highly praised work titled Fa'a fafine: In a Manner of a Woman, Triptych 1-3, a sequence of photographs, in which the artist re-create and addresses a Samoan portrait genre, in which women were posed as reclining "South Seas Belles." All works on view were printed this year by the artist in Auckland, New Zealand, except two from the Metropolitan's own collection. Complementing the exhibition will be a performance by the artist, Taualuga: The Last Dance, in the Museum's Grace Rainey Rogers Auditorium on October 19.
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中國十七世紀下半最著名的藝術家王翬的繪畫九月九日開始，將在大都會博物館展出。《山水清暉：王翬（1632-1717）藝術展》闡述王翬的藝術發展歷程，從早年對傳統山水畫風的精湛詮釋，至1689年獲選繪製康熙皇帝南巡中國文化區行程，事業臻於巔峰爲止。展出的二十七幅畫來自臺北、北京、上海、和北美洲的幾個公私收藏，其中十一件作品—包括兩件山水長卷巨幅—從來沒有在西方展出過。配合王翬作品展出的，還有精選的早期山水畫，大都來自大都會博物館的館藏，以彰顯王翬藝術的淵源。
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Rhythms of Modern Life: British Prints 1914-1939, the first major exhibition in the United States to examine the impact of modern artistic movements – especially Italian Futurism – on British printmaking from the outbreak of World War I to the beginning of World War II, will be on view at The Metropolitan Museum of Art beginning September 23, 2008. Featuring the work of 14 artists, Rhythms of Modern Life will showcase more than 100 prime examples of graphic works that celebrate the vitality and dynamism of modern life.
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In the late 1930s, Rudy Burckhardt—then a recent émigré to America from Switzerland—photographed his adopted hometown of New York City, and immediately made some of the most lyrical, witty, and poetic images of the city ever created. New York, N. Why?: Photographs by Rudy Burckhardt, 1937–1940, opening September 23 at the Metropolitan Museum, will present in its entirety Burckhardt's unique, handmade album of 67 classic images of sidewalks, outdoor advertising, and pedestrians, selected and sequenced by Burckhardt in 1940 and acquired by the Museum in 1972.
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Thirteen works by seven contemporary African-American artists – Chakaia Booker, Willie Cole, Glenn Ligon, Whitfield Lovell, Alison Saar, Lorna Simpson, and Kara Walker – are featured at The Metropolitan Museum of Art in Provocative Visions: Race and Identity – Selections from the Permanent Collection. The installation, which opened August 19, examines the ways these artists challenge accepted perceptions and assumptions about race, gender, and identity. Cultural heritage and personal history provide a context for these images. All of the sculptures, prints, and drawings were acquired during the past 13 years, within a year or two of their creation – supported in large part by gifts from the Peter Norton Family Foundation and the Hortense and William A. Mohr Sculpture Purchase Fund. Most works are on display at the Metropolitan Museum for the first time.
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The porcelain factories of Berlin, Sèvres, and Vienna achieved a remarkable level of artistic and technical skill in the first half of the 19th century, and the quality of painted decoration practiced at these three factories at this time has never been surpassed. Approximately 75 extraordinary examples from these three European porcelain manufactories will be on view at The Metropolitan Museum of Art beginning September 16, 2008, in the exhibition Royal Porcelain from the Twinight Collection, 1800-1850. The exhibition will illustrate the exchange of ideas and styles among the factories that resulted in some of the most splendid porcelain ever produced.
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The paintings of Wang Hui, the most celebrated artist of late 17th-century China, will be featured in an exhibition opening on September 9 at The Metropolitan Museum of Art. Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717) will trace Wang's artistic development – from his early years as a brilliant reinterpreter of classic landscape styles to the pinnacle of his career, when he was chosen to illustrate the Kangxi Emperor's epic 1689 inspection tour of China's cultural heartland – through 27 paintings drawn from the Taipei and Beijing Palace Museums, Shanghai Museum, and several North American collections. The presentation of Wang Hui's career will incorporate 11 works that have never before been exhibited in the West, including two enormous panoramic landscape handscrolls. Wang's paintings will be complemented by a selection of earlier landscapes, drawn largely from the Metropolitan Museum's holdings, that will highlight the sources of Wang Hui's inspiration.
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An installation of 30 palm-leaf folios from Indian illuminated manuscripts will open at The Metropolitan Museum of Art on July 29, 2008. Featuring some of the earliest surviving Indian manuscripts, dating from the 10th to the 13th century, Early Buddhist Manuscript Painting: The Palm-leaf Tradition will center on one remarkable Mahayanist Buddhist text, the Ashtasahasrika Prajnaparamita Sutra ('Perfection of Wisdom'), illustrated through the Museum's rare holdings of eastern Indian and Nepalese illuminated palm-leaf manuscripts, book-covers, initiation cards, thankas, and sculptures.
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The Italian term pietre dure – literally meaning "hard stones" – refers to the artistic cutting of semiprecious stones, such as agate, lapis lazuli, and other colorful hardstones, to fashion extravagant luxury objects, from architectural ornament and furniture to ornate display items and personal jewelry. Opening July 1 at The Metropolitan Museum of Art, the landmark exhibition Art of the Royal Court: Treasures in Pietre Dure from the Palaces of Europe will feature more than 170 masterpieces in carved stone, many of them embellished with gold and silver mounts or decorated with exotic woods and other coveted materials. From the Renaissance to the early 19th century, the affluent societies of Europe were mesmerized by works in pietre dure, both as diplomatic gifts and as objects of desire. The presentation at the Metropolitan will offer the most comprehensive overview ever dedicated to this magnificent medium.
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The first major retrospective of the work of celebrated British artist J. M. W. Turner (1775–1851) to be presented in the United States in more than 40 years will be on view at The Metropolitan Museum of Art beginning July 1, 2008. The exhibition J. M. W. Turner will represent the artist's extensive iconographic range, from seascapes and topographical views to historical subjects and scenes from his imagination. More than half of the approximately 140 paintings and watercolors on view will be on loan from Tate Britain, which houses the Turner Bequest, the most comprehensive collection of the artist's work in the world. These will be complemented by works from other collections in Europe and North America.
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A new installation at The Metropolitan Museum of Art – Krishna: Mythology and Worship – celebrates the Hindu god Krishna, perhaps the most popular of all the appearances (avatars) of the Indian Hindu deity Vishnu. The installation of 23 painting, textiles, and sculptures from the Museum's collection will be on view in the Museum's Florence and Herbert Irving Galleries for the Arts of South and Southeast Asia through July 28, 2008. Most of the paintings on display are manuscript pages produced in Rajasthan and the Punjab Hills, illustrating popular events from Krishna's life. The textiles were employed to enhance shrines devoted to Krishna.
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Landscape painting in America reached its high point in the mid-19th century, peaking around the time of the Civil War. Nine important American landscape paintings, ranging in date from 1836 to about 1897, will be on view beginning May 20, 2008, in the Museum's Robert Lehman Wing, while The Metropolitan Museum of Art's American Paintings and Sculpture Galleries undergo renovation. The paintings will return to view in the American Wing when its galleries reopen in winter 2010-11.
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AsAs superheroes enjoy a surge in mass popularity, The Costume Institute at The Metropolitan Museum of Art explores the symbolic and metaphorical associations between these fictional characters and fashion in Superheroes: Fashion and Fantasy, an exhibition at the Museum from May 7 through September 1, 2008. The exhibition features approximately 60 ensembles including movie costumes, avant-garde haute couture, and high-performance sportswear to reveal how the superhero serves as the ultimate metaphor for fashion and its ability to empower and transform the human body.
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The Victoria and Albert Museum in London holds one of the world's finest collections of European decorative arts. Thirty-five of its masterpieces will be on view at The Metropolitan Museum of Art beginning May 20, 2008, in the exhibition Medieval and Renaissance Treasures from the Victoria and Albert Museum, while the V&A prepares a new suite of galleries for its collection. Dating from 300 to 1600, the exhibition will include superb examples of sculpture, metalwork, ceramics, and glass that are rarely lent. Most have never been on view in New York.
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EDITORS PLEASE NOTE: Information provided below is subject to change.
To confirm scheduling and dates, call the Communications Department at (212) 570-3951.
CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.
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Framing a Century: Master Photographers, 1840-1940 tells the story of photography's first 100 years through the work of 13 key figures who helped shape the aesthetic and expressive course of the medium: Gustave Le Gray, Roger Fenton, Carleton Watkins, William Henry Fox Talbot, Julia Margaret Cameron, Nadar, Edouard Baldus, Charles Marville, Eugène Atget, Walker Evans, Man Ray, Henri Cartier-Bresson, and Brassaï. Opening at The Metropolitan Museum of Art on June 3, 2008, the exhibition will present 10 to 12 iconic works by each of these influential artists, to convey a broad sense of their contributions to photography. Many of the works displayed in Framing a Century are drawn from the acclaimed Gilman Paper Company Collection, which was acquired by the Museum in 2005.
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Opening May 6, 2008, this installation showcases many of the most significant works in the Metropolitan Museum's modern design collection. The major design movements are represented through works created by some of the most renowned designers of the 20th century.
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Sculptures by Jeff Koons (b. 1955) – an American artist known internationally for his controversial and intriguing contributions to contemporary art – comprise The Metropolitan Museum of Art's 2008 installation on The Iris and B. Gerald Cantor Roof Garden, opening April 22. The installation will feature three large-scale and brilliantly colored works: Balloon Dog (Yellow) of 1994-2000, Coloring Book of 1997-2005, and Sacred Heart (Red/Gold) of 1994-2007 – all made of high chromium stainless steel with transparent color coating. These sculptures have never before been on public display. They will be situated in the 10,000-square-foot open-air space that offers spectacular views of Central Park and the New York City skyline. Jeff Koons on the Roof will be the 11th consecutive single-artist installation on the Cantor Roof Garden.
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An unprecedented exhibition of luxury items from ancient Peru, embellished with brilliantly colored feathers of Amazonian rainforest birds, went on view at The Metropolitan Museum of Art on February 26. Bringing together more than 70 works from public and private collections in the United States and the Metropolitan's own holdings – many of which have never been displayed before – Radiance from the Rain Forest: Featherwork in Ancient Peru explores the more than 2,000-year-old tradition of sophisticated feather-working that prospered in ancient Peru.
The exhibition was made possible by the Friends of the Department of the Arts of Africa, Oceania, and the Americas.
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Photography on Photography: Reflections on the Medium since 1960, on view from April 8 through October 19, 2008, is the second exhibition in the Museum's new gallery for contemporary photographs. Photography on Photography presents four decades of photographs by artists in the permanent collection who have made photography itself their subject and taken aim at its claims of objectivity and its ubiquity in modern life. Featured in the exhibition are works by Vito Acconci, William Anastasi, Lutz Bacher, Liz Deschenes, Roe Ethridge, Robert Heinecken, Sherrie Levine, Robert Mapplethorpe, Richard Prince, Thomas Ruff, Allen Ruppersberg, Karin Sander, Hiroshi Sugimoto, and Andy Warhol, as well as recently acquired photographs by Moyra Davey, Kota Ezawa, Janice Guy, Josephine Pryde, James Welling, Christopher Williams, and Mark Wyse.
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EDITORS PLEASE NOTE: Information provided below is subject to change.
To confirm scheduling and dates, call the Communications Department at (212) 570-3951.
CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.
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Order and disorder, reason and emotion, restraint and excess — opposing impulses such as these have influenced design since the beginning of civilization. Classic/Fantastic: Selections from the Modern Design Collection, opening December 21 at The Metropolitan Museum of Art, juxtaposes these divergent approaches, presenting an Apollonian/Dionysian dichotomy of design philosophies in the modern era. Of the approximately 75 works in a wide range of media — including furniture, metalwork, ceramics, glass, textiles, and drawings — half will be devoted to designs rooted in the centuries-old vocabulary of classicism, updated yet still linked to the rules and traditions of the past, and the other half to romantic and surreal subjects of fantasy, drawn from the realm of pure imagination. A number of works from the Metropolitan Museum's collection will be exhibited for the first time, including tables by Costa Achillopoulo and John Dickinson, a Dutch Rozenburg ceramic covered vase (ca. 1900-14), a Danish lamp by Sigfrid Wagner (1905), a Dale Chihuly Venetian series glass vase (1989), and flatware designed by the American Marion Weeber (1965-70).
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中國人有句話說：“一圖勝千言”。有鑒于此，將於2008年三月一日在大都會博物館開幕的特展 “書畫名品的奧妙：如何解讀中國畫” 對中國書畫進行圖像分析，將原作與放大的細部照片並列，以顯示每件作品的奧妙之處。展出的大都會博物館收藏的書畫共有三十六件，有時一個展廳只針對兩三件作品，透過精彩的細部放大，使觀衆了解其風格、構圖、或内容。作品的年代跨越八世紀到十七世紀的一千年，題材包括人物、山水、花鳥、和宗教畫，是大都會館藏中的精華。
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A Chinese saying summarizes the dichotomy between image and text this way:
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Opening at The Metropolitan Museum of Art on February 5, Jasper Johns: Gray will be the first exhibition to examine the use of the color gray in the work of American artist Jasper Johns. From the mid-1950s to the present, gray has been a consistent thread in Johns's practice and an important means for the artist to evoke different moods and to explore a range of formal ideas. This major exhibition offers a new lens through which to see the work of this pivotal American artist, bringing together 119 paintings, reliefs, drawings, prints, and sculptures. Jasper Johns: Gray features masterworks of Johns's career — such as Canvas, Gray Target, Jubilee, 0 through 9, No, Diver, and The Dutch Wives — as well as works from the artist's recent Catenary series and new works never before exhibited.
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It is impossible to tell you all the insults my painting of this year has won me, but I don't care, for when I am no longer controversial I will no longer be important.
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A special installation of magnificent Korean screens dating from the late 19th to the early 20th century will go on view at The Metropolitan Museum of Art on March 11. Featuring four screens drawn from American collections, Beauty and Learning: Korean Painted Screens will highlight a unique genre of Korean painting known as ch'aekkŏri (books and things), which flourished in Korea from the late 18th to the early 20th century. These screens, portraying books and objects, can be seen as representations of a scholar's study or studio. Approximately 20 objects, including ceramics and bronzes similar to those illustrated in the screens, will complement the installation. This is the first exhibition to focus on the subject in the United States.
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"I would like… to join the curves of the women to the shoulders of the hills…Like Poussin, I would like to put reason in the grass and tears in the sky."
Paul Cézanne (1839-1906)
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On the occasion of the 150th anniversary of the design for Central Park, Frederick Law Olmsted's 843-acre New York City masterpiece, The Metropolitan Museum of Art will present Lee Friedlander: A Ramble in Olmsted Parks. On view from January 22 to May 11, 2008, the exhibition will feature 36 photographs, most never before on public display. Friedlander describes these striking photographs, culled from a 20-year exploration of public parks and private estates designed by North America's premier landscape architect, as "one photographer's pleasurable and wandering glances at places that bear the great vision of Mr. Olmsted."
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As a living art, fashion is open to multiple readings, and blog.mode: addressing fashion at The Metropolitan Museum of Art from December 18, 2007, through April 13, 2008, presents approximately 65 costumes and accessories dating from the 18th century to the present — all recent Metropolitan Museum acquisitions — and invites the public to share their reactions via a blog on the Museum's website. Over the duration of the exhibition, which will take place in The Costume Institute galleries, individual costumes and accessories will be posted on the blog periodically with commentary from curators Harold Koda and Andrew Bolton, and, where relevant, from contemporary designers.
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An installation of rare and exquisitely decorated armor, weapons, and equestrian equipment from Tibet and culturally related areas of Mongolia and China will go on view at The Metropolitan Museum of Art on December 14. Featuring approximately 35 objects dating from the 15th to the 20th century, Tibetan Arms and Armor from the Permanent Collection will explore this little known aspect of Tibet's rich artistic and historic culture. Drawn from the Museum's own collection – one of the most important in the world – the installation includes several recent acquisitions that have never before been exhibited or published.
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The Metropolitan Museum of Art's renovated and expanded Galleries for 19th- and Early 20th-Century European Paintings and Sculpture will reopen on December 4, 2007. The newly refurbished galleries – which occupy nearly 35,000 square feet, including 8,000 square feet of new exhibition space named the Henry J. Heinz II Galleries in recognition of a major gift made by his widow, the long-time Metropolitan Museum Trustee Drue Heinz – will showcase European paintings from the Museum's world-renowned collection, dating from 1800 through the early 20th century. This new presentation will feature a more thorough display of the Museum's 19th-century collection, augmented with seminal works from the early modern era.
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The Christmas tree and Neapolitan Baroque crèche at The Metropolitan Museum of Art, a long-established yuletide tradition in New York, will be on view for the holiday season from November 20, 2007, through January 6, 2008. The brightly lit, 20-foot blue spruce – with a collection of 18th-century Neapolitan angels and cherubs among its boughs and groups of realistic crèche figures flanking the Nativity scene at its base – will once again delight holiday visitors in the Museum's Medieval Sculpture Hall. Set in front of the 18th-century Spanish choir screen from the Cathedral of Valladolid, with recorded Christmas music in the background and daily lighting ceremonies, the installation reflects the spirit of the holiday season.
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A new, large-scale work conceived specifically for display in The Metropolitan Museum of Art's galleries by New York-based artist Tara Donovan (American, born 1969) comprises the exhibition Tara Donovan at the Met, on view from November 20, 2007, through April 27, 2008.
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The Metropolitan Museum of Art's Wrightsman Galleries, currently undergoing
extensive renovations and reinstallation, will reopen on October 30. The
spectacular 18th-century rooms, which include the De Tessé Room, the Cabris
Room, the Paar Room, the Varengeville Room, the Bordeaux Room, and the
Crillon Room, house the Museum's renowned collection of French furniture and
related decorative arts. Named for Jayne and Charles Wrightsman, who amassed
one of the finest private collections in America of the decorative arts of the ancien
régime, the galleries opened to the public between 1969 and 1977. The
Wrightsmans' splendid gifts strengthened the Museum's already important
collection of French 18th-century interiors and furnishings. Mrs. Wrightsman, a
Trustee Emerita, continues her generosity to the Metropolitan Museum to this day,
and has made these renovations possible.
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著名作家林語堂（1895-1976）和其家人收藏的四十三件中國近代書畫將從九月十五日起，在大都會博物館首次公開展出。林氏後人最近將這批藏品捐贈給大都會博物館。