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Boiserie from the Hôtel Lauzun

ca. 1770, with one modern panel
On view at The Met Fifth Avenue in Gallery 523
The design of this Neoclassical paneling incorporates fluted pilasters crowned with Corinthian capitals and three sets of double doors that alternate with carved panels. The latter are embellished below with symmetrical arabesques and vases in low relief and with graceful swags at the top, but they all differ slightly from each other. No eighteenth-century provenance has been discovered for this woodwork, but by 1874 it had been installed in the first-floor (American second floor) gallery of the Hôtel de Lauzun, a seventeenth-century residence on the Île Saint-Louis in Paris. The house was then occupied by the baron Jérôme-Frédéric Pichon (1812–1896), a well-known collector and bibliophile. Stripped to its bare oak and stained a dark shade of brown, the paneling lined the walls of his library. With its four large windows overlooking the quay and the river Seine, this room was the setting for eccentric parties at which Pichon entertained literary contemporaries such as Charles Baudelaire and Théophile Gautier. The paneling remained in place until the baron’s grandson, Louis Pichon, acquired the hôtel in 1905. Having a stricter aesthetic sense and a desire to restore the seventeenthcentury appearance of the gallery, he dismantled and sold the boiserie. It arrived at the Museum in 1976. When microscopic analysis revealed little about the original paint below the stain, the woodwork was repainted in a monochrome gray-green distemper to harmonize with the three grisaille overdoors, which have been associated with the paneling but did not originally belong to it. Showing children representing spring, summer, and winter, they are duplicates of the overdoors representing the four seasons painted about 1787 by Piat Joseph Sauvage (1744–1818) for Queen Marie-Antoinette’s dairy at Rambouillet.

Artwork Details

Object Information
  • Title: Boiserie from the Hôtel Lauzun
  • Date: ca. 1770, with one modern panel
  • Culture: French, Paris
  • Medium: Carved and painted oak
  • Dimensions: H. 323-1/2 x W. 323-1/2 x D. 195-3/4 in. (821.7 x 821.7 x 497.2 cm)
  • Classification: Woodwork
  • Credit Line: Purchase, Mr. and Mrs. Charles Wrightsman Gift, 1976
  • Object Number: 1976.91.1
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Disponível apenas em: English
Cover Image for 2280. Boiserie from the Hôtel Lauzun, Part 1

2280. Boiserie from the Hôtel Lauzun, Part 1

Gallery 523

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NARRADOR: Não conhecemos a procedência original do madeiramento deste quarto do século XVIII. Sabemos apenas que ele foi usado como biblioteca de uma residência parisiense do final do século XIX. O madeiramento neoclássico tem motivos muito típicos, como pilastras e guirlandas simétricas. E as suas linhas retas e proporções arquitetônicas parecem quase um antídoto para os elementos cada vez mais encurvados e excêntricos do Rococó.

Em frente às paredes há cadeiras e sofás neoclássicos alinhados. Esta organização de assentos se refere ao fato de que no século XVIII era comum entreter convidados, receber comerciantes e até realizar recepções oficiais em um quarto nobre como este.

Pressione "Play" para ouvir uma descrição sobre uma visita ao dormitório de uma senhora.

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