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Bacanal: fauno importunado por crianças

and Pietro Bernini Italian
ca. 1616–17
On view at The Met Fifth Avenue in Gallery 534
Dotado de um talento extraordinário, Gian Lorenzo Bernini foi aprendiz de seu pai, Pietro, considerado um artista versátil. Neste período, o pai e o filho colaboraram em numerosas esculturas de mármore, que mostram claramente as aspirações e a maestria do filho. O grupo escultórico aqui representado é a escultura mais ambiciosa deste período e demonstra o interesse do jovem artista em criar grupos de figuras entrelaçadas em superfícies diferentes: observe a tensão dos músculos do fauno, a boca sem dentes, querubins rechonchudos, a casca da árvore e do grupo de frutas suculentas. Inspirado por antigos sarcófagos, esta cena báquica representa a fusão do classicismo e do naturalismo típico da arte romana, na virada do Barroco.

Artwork Details

Object Information
  • Título: Bacanal: fauno importunado por crianças
  • Artista: Gian Lorenzo Bernini, italiano, 1598–1680, e Pietro Bernini, italiano, 1562–1629
  • Data: ca. 1616
  • Meio: Mármore
  • Dimensões: 132,4 cm de altura
  • Linha de créditos: Compra, doação de Annenberg Fund Inc., Fundos Fletcher, Rogers e Louis V. Bell, e doação de J. Pierpont Morgan, por intercâmbio, 1976
  • Número de acesso: 1976.92
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Disponível apenas em: English
Cover Image for 80. Bacchanal: A Faun Teased by Children

80. Bacchanal: A Faun Teased by Children

Body Language

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Jackie Terrassa: This was a collaboration between two artists working together: a younger Bernini learning from his father, who was also a master. The other thing that's amazing about this sculpture is the artists have punctured the marble to create space in between the forms. How does an artist take a piece of stone and make it feel like it's flying, make it feel like the figures are twisting and throwing each other around? Every single detail of the sculpture has some different treatment in terms of the texture of the marble and how that is finished.

Narrator: You can see this at the back of the sculpture. Look at the baby falling off the panther, especially his arm.

Luke Syson: The texture is actually like that of the tree. It looks almost as if his arm is a little branch growing off it. The sculptors are really thinking about how to give the sense that the act of creating is happening before your eyes.

Narrator: Gian Lorenzo Bernini was the most prominent sculptor of the seventeenth-century Italian Baroque.

Luke Syson: The Baroque artists were very interested in expressive movement, and the way in which transitory emotions can be expressed permanently through movements of the body and so on.

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