Terracotta oinochoe (jug)

mid-4th century BCE
On view at The Met Fifth Avenue in Gallery 158
Pompe, the female personification of a procession, between Eros and Dionysos; names inscribed

Pompe, whose mantle only accentuates her nudity, holds a wreath and looks toward Dionysos, seated and wearing a diadem. The winged Eros adjusts his sandals as though preparing to depart. The gilt openwork basket on the ground is the type used in religious processions to carry sacrificial implements to the place of sacrifice. This procession must be part of an Athenian festival in honor of Dionysos, probably the Anthesteria, which culminated in the sacred marriage of the god to the wife of the archon basileus, a high official representing the ancient Athenian kings. This is one of the most refined vase-paintings in the entire collection. The graceful figure of Pompe reflects full-scale statues of Aphrodite in the nude that were being carved in the wake of the first nude statue of the goddess created by Praxiteles in the mid-fourth century B.C.

Artwork Details

Object Information
  • Title: Terracotta oinochoe (jug)
  • Period: Classical
  • Date: mid-4th century BCE
  • Culture: Greek, Attic
  • Medium: Terracotta; red-figure
  • Dimensions: H. 9 1/4 in. (23.5 cm); diameter 6 13/16 in. (17.3 cm)
  • Classification: Vases
  • Credit Line: Rogers Fund, 1925
  • Object Number: 25.190
  • Curatorial Department: Greek and Roman Art

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.