Study of a Seated Woman
Hoppner became the leading portraitist working in London after Sir Joshua Reynolds retired in 1789. Early In his career, the artist often focused on literary or dramatic subjects, and the present work relates to "Clara at the Tomb of Eloisa," reproduced in mezzotint in 1786. The theme comes from Jean-Jacques Rousseau's "Julie; ou, La Nouvelle Héloïse," a novel in which the heroine, Héloïse (Eloisa), is separated from her great love Saint-Preux, and dies hoping to be united with him in heaven. The artist imagined Eloisa's close friend Clara mourning at her tomb and used his wife, Phoebe, as a model. Black and white chalks are applied in a loose, expressive manner reminiscent of Thomas Gainsborough and a romantically overgrown landscape suggested by rapidly indicated trees and hints of foliage.
Artwork Details
- Title: Study of a Seated Woman
- Artist: John Hoppner (British, London 1758–1810 London)
- Date: 1778–1810
- Medium: Black and white chalk
- Dimensions: Sheet: 10 5/8 × 8 15/16 in. (27 × 22.7 cm)
- Classification: Drawings
- Credit Line: Rogers Fund, 1908
- Object Number: 08.227.5
- Curatorial Department: Drawings and Prints
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.