Landscape with hills and a lake
In his writings, Gilpin encouraged his readers to seek the picturesque in nature, which he defined as "that peculiar kind of beauty which is agreeable in a picture." Nature was to be viewed and experienced like a landscape painting, with emphasis on composition, the harmony of light and dark masses, and overall effect rather than a precise description of topography. In this drawing of hills around a lake, with a small building precariously perched on a cliff, picturesqueness is achieved through the rough application of broad and bold washes of monochrome ink. In his Three Essays, displayed nearby, Gilpin wrote "Picturesque composition consists in uniting in one whole a variety of parts; and these parts can only be obtained from rough objects."
Artwork Details
- Title: Landscape with hills and a lake
- Artist: William Gilpin (British, Scaleby, Cumbria 1724–1804 Boldre, Hampshire)
- Date: ca. 1772
- Medium: Pen and black ink, brush and gray wash, on buff paper
- Dimensions: Sheet: 10 13/16 × 14 3/8 in. (27.5 × 36.5 cm) (irregular)
- Classification: Drawings
- Credit Line: Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, and Jeffrey L. Berenson Gift, 2012
- Object Number: 2012.381
- Curatorial Department: Drawings and Prints
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